Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
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Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
“Across the hall I gayly skipped,
And soon was for the cruise equipped.”
Then follows the drive, the arrival, and the attempt to cut the stern
old cedar trunk with a dull saw,――
“Cousin Thomas worked with desperation,
Until he was in a profuse perspiration,”
and finally secured the trophy here exhibited. But these stray
couplets give a very inadequate idea of the poem as delivered by its
author; and he who visits Nantucket and does not hear it has for the
rest of his life a lost opportunity to lament.
Just at the close of the recital the poetess fixed her eye steadily
upon a figure beside one of the windows, and sternly inquired:
“Is that woman sick? Why don’t somebody see to her?”
It was true that the culprit, overcome by the heat of the room,
the excitement of the narrative, and possibly certain ancient and
fish-like odors connected with the marine specimens, had fainted a
little; but was speedily recovered by the usual remedies, prominent
among which in those days is a disinclination to have one’s crimps
spoiled by the application of water; and the incident was made more
memorable by the valedictory of the hostess:
“Now, if any of you want to come in again while you stay on the island
you can, without paying anything; and if I don’t remember you, just
say, ‘I was here the day the woman fainted,’ and I shall know it’s all
right.” And we heard that the experiment was tried and succeeded.
As the party left the house the señor lingered to say: “We are going
up to the old windmill, Aunty. Didn’t it belong to your family once?”
“I should say it did, Sammy. They wanted a windmill and didn’t know
how to make one: and they got an off-islander, name of Wilbur, to
make it, and like fools gave him the money beforehand. He went back
to the continent for something――nails maybe, or maybe idees――and
carried the money with him; some pirate or other got wind of it, and
the first thing they knew down here, the man was robbed and murdered
there on Cape Cod. That didn’t put up the windmill though, and the
women had got almost tired grinding their samp and meal in those
old stone mortars, or even a handmill; so some of the folks spoke to
my grandfather, Elisha Macy, about it, and he thought it over, and
finally went to bed and dreamed just how to build it, and the next day
got up and built it. That’s the story of _that_, my dear.”
“A regular case of revelation, wasn’t it?” suggested the señor with a
twinkle in his eye; to which the hostess rather sharply replied:
“I don’t profess to know much about revealation, and I don’t surmise
you know much more, Sammy; but that’s how the windmill was built.”
Public-domain text, read in full here on John Shaqi.
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