Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
History adds another anecdote of the windmill, worthy to be preserved
for its Nantucket flavor. Eighty-two years from its marvelous
inception, the mill had grown so old and infirm that its owners
concluded to sell it for lumber if need be. A meeting was called, and
Jared Gardner, the man who was supposed to be wisest in mills of any
on the island, was invited to attend, and succinctly asked by Sylvanus
Macy――
“Jared, what will thee give for the mill without the stones?”
“Not one penny, Sylvanus,” replied Jared as succinctly; and the
other――
“What will thee give for it as it stands, Jared?”
“I don’t feel to want it at any price, friend,” replied Jared
indifferently.
The mill-owners consulted, and presently returned to the charge with――
“Jared, thee must make us an offer.”
“Well, then, twenty dollars for firewood, Sylvanus.”
The offer was accepted immediately; the shrewd Jared did not burn his
mill, even to roast a suckling pig; but repaired and used it to his
own and his neighbor’s advantage, until the day of his death.
REPRESENTATIVE WOMEN POETS OF AMERICA.
Illustration: WOMEN POETS OF AMERICA
_PHOEBE CARY_ • _ALICE CARY_
_LUCY LARCOM_ • _LOUISE CHANDLER MOULTON_
_LYDIA H. SIGOURNEY_ • _ELIZABETH OAKES SMITH_
Illustration: (‡ decoration)
LYDIA HUNTLEY SIGOURNEY.
PIONEER FEMALE POET OF AMERICA.
MRS. SIGOURNEY, was among the first, and is the most voluminous of
all the early female poets of America. In fact she has been, up to
this date, one of the most prolific of all the women writers of our
country, having published fifty-six volumes of poetry and prose, the
first appearing in 1815, and the last in 1863, ♦forty-eight years
later. Her most successful efforts are her occasional poems, which
abound in passages of earnest, well expressed thought, and exhibit
in their graver moods characteristics of a mind trained by exercise
in self-knowledge and self-control. Her writings possess energy
and variety, while her wide and earnest sympathy with all topics
of friendship and philanthropy was always at the service of those
interests. Mr. Edward H. Everett in a review of Mrs. Sigourney’s
works declared: “They express with great purity and evident sincerity
the tender affections which are so natural to the female heart and
the lofty aspirations after a higher and better state of being which
constitute the truly ennobling and elevating principles in art as well
as in nature. Love and religion are the unvarying elements of her song.
If her power of expression were equal to the purity and elevation of
her habits of thought and feeling, she would be a female Milton or a
Christian Pindar.” Continuing he says: “Though she does not inherit
‘The force and ample pinion that the Theban eagles bear,
Sailing with supreme dominion through the liquid vaults of
air,’
Public-domain text, read in full here on John Shaqi.
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