Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Lucy Larcom was born in Beverly, Massachusetts, in 1826. Her father,
a sea captain, died while she was a child, and her mother removed
with her several children to Lowell, Massachusetts. For a while Lucy
attended the public schools and at the age of ten years showed a
talent for writing verses. In the cotton mill, she tells us, her first
work was “doffing and replacing the bobbins in the machine. Next,” she
says, “I entered the spinning-room, then the dressing-room, where I
had a place beside pleasant windows looking toward the river. Later I
was promoted to the cloth-room, where I had fewer hours of confinement,
without the noisy machinery, and it was altogether neater.” The
last two years, of her eight years’ work in the mill, she served as
book-keeper, and, during her leisure hours, pursued her studies in
mathematics, grammar and English and German literature.
The female operatives in the Lowell mills published a little paper
entitled “Offering,” and it was to this that Miss Larcom contributed
her first literary production, which was in the shape of a poem
entitled “The River;” and many of her verses and essays, both grave
and gay, may be found in the old files of this paper. Her first volume,
“Similitudes,” was compiled from essays which appeared originally
in “Offering.” Since then her name has found an honored place among
the women writers of America. Among her early and best poems are
“Hannah Binding Shoes” and “The Rose Enthroned,” the latter being Miss
Larcom’s first contribution to the “Atlantic Monthly.” She did not
sign her name to the contribution and it was of such merit that one
of the reviewers attributed it to the poet Emerson. Both Mr. Lowell,
the editor of “The Atlantic Monthly,” and the poet, Whittier, to whose
papers she also contributed, praised her ability. Miss Larcom studied
at Monticello Female Seminary, Illinois, and afterwards taught in some
of the leading female schools in her native State. In 1859 appeared
her book entitled “Ships in the Mist and Other Stories,” and in 1866
was published “Breathings of a Better Life.” From 1866 to 1874 she
was editor of “Our Young Folks,” and in 1875 “An Idyl of Work, a Story
in Verse,” appeared. In 1880 “Wild Roses of Cape Ann and Other Poems”
was published, and in 1881 “Among Lowell Mill Girls” appeared. In
1885 her poetical works were gathered and published in one volume.
Of late, Miss Larcom’s writings have assumed deeply religious tones
in which the faith of her whole life finds ample expression. This
characteristic is strongly noticeable in “Beckonings” (1886), and
especially so in her last two books “As It Is In Heaven” (1891) and
“The Unseen Friend” (1892), both of which embody her maturest thought
on matters concerning the spiritual life.
Public-domain text, read in full here on John Shaqi.
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