Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
One of the most admirable characteristics of Miss Larcom’s life and
her writings is the marked spirit of philanthropy pervading every
thing she did. She was in sentiment and practically the working
woman’s friend. She came from among them, had shared their toils,
and the burning and consuming impulse of her life was to better their
condition. In this, she imitated the spirit of Him, who, being lifted
up, would draw all men after Him.
* * * * *
HANNAH BINDING SHOES.
POOR lone Hannah,
Sitting at the window, binding shoes!
Faded, wrinkled,
Sitting stitching, in a mournful muse!
Bright-eyed beauty once was she,
When the bloom was on the tree:
Spring and winter
Hannah’s at the window, binding shoes.
Not a neighbor
Passing nod or answer will refuse
To her whisper,
“Is there from the fishers any news?”
Oh, her heart’s adrift with one
On an endless voyage gone!
Night and morning
Hannah’s at the window, binding shoes.
Fair young Hannah
Ben, the sunburnt fisher, gayly woos;
Hale and clever,
For a willing heart and hand he sues.
May-day skies are all aglow,
And the waves are laughing so!
For the wedding
Hannah leaves her window and her shoes.
May is passing:
Mid the apple-boughs a pigeon coos.
Hannah shudders,
For the mild south-wester mischief brews.
Round the rocks of Marblehead,
Outward bound, a schooner sped:
Silent, lonesome,
Hannah’s at the window, binding shoes.
’Tis November.
Now no tears her wasted cheek bedews.
From Newfoundland
Not a sail returning will she lose,
Whispering hoarsely, “Fisherman,
Have you, have you heard of Ben?”
Old with watching,
Hannah’s at the window, binding shoes.
Twenty winters
Bleach and tear the ragged shore she views.
Twenty seasons;――
Never has one brought her any news.
Still her dim eyes silently
Chase the white sail o’er the sea:
Hopeless, faithless,
Hannah’s at the window, binding shoes.
Illustration: (‡ decoration)
Illustration: (‡ decoration)
ALICE AND PHOEBE CARY.
“THE SISTER SPIRITS OF POESY.”
IT would be difficult to treat the two poetic Cary sisters separately.
Their work began, progressed through life and practically ended
together. Few persons have written under the circumstances which
at first appeared so disadvantageous. They had neither education
nor literary friends, nor was their early lot cast in a region of
literary culture――for they were reared in Cincinnati, Ohio, during
the formative period of that Western country. But surely in the wild
hills and valleys of their native West, they found
Public-domain text, read in full here on John Shaqi.
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers — John Shaqi
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