Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
As a specimen of Mr. Bryant’s prose, of which he wrote much,
and also as a sample of his criticism, we reprint the following
extract from a Commemorative Address which he delivered
before the New York Historical Society in February 1869. This
selection is also valuable as a character sketch and a literary
estimate of Mr. Halleck.
“WHEN I look back upon Halleck’s literary life, I cannot help thinking
that if his death had happened forty years earlier, his life would
have been regarded as a bright morning prematurely overcast. Yet
Halleck’s literary career may be said to have ended then. All that
will hand down his name to future years had already been produced. Who
shall say to what cause his subsequent literary inaction was owing? It
was not the decline of his powers; his brilliant conversation showed
that it was not. Was it then indifference to fame? Was it because he
put an humble estimate on what he had written, and therefore resolved
to write no more? Was it because he feared lest what he might write
would be unworthy of the reputation he had been so fortunate as to
acquire?
“I have my own way of accounting for his literary silence in the
latter half of his life. One of the resemblances which he bore to
Horace consisted in the length of time for which he kept his poems
by him, that he might give them the last and happiest touches. Having
composed his poems without committing them to paper, and retaining
them in his faithful memory, he revised them in the same manner,
murmuring them to himself in his solitary moments, recovering the
enthusiasm with which they were first conceived, and in this state of
mind heightening the beauty of the thought or of the expression....
“In this way I suppose Halleck to have attained the gracefulness
of his diction, and the airy melody of his numbers. In this way I
believe that he wrought up his verses to that transparent clearness
of expression which causes the thought to be seen through them without
any interposing dimness, so that the thought and the phrase seem
one, and the thought enters the mind like a beam of light. I suppose
that Halleck’s time being taken up by the tasks of his vocation, he
naturally lost by degrees the habit of composing in this manner, and
that he found it so necessary to the perfection of what he wrote that
he adopted no other in its place.”
* * * * *
A CORN-SHUCKING IN SOUTH CAROLINA.
_From “The Letters of a Traveler.”_
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