Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers — John Shaqi
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
European nations had already the best of their literature before
ours began. It is less than three hundred years since the landing
of the Mayflower at Plymouth Rock, and the planting of a colony at
Jamestown, marked the first permanent settlements on these shores. Two
hundred years were almost entirely consumed in the foundation work of
exploring the country, settling new colonies, in conflicts with the
Indians, and in contentions with the mother country. Finally――after
two centuries――open war with England served the purpose of bringing
the jealous colonists together, throwing off our allegiance to Europe,
and, under an independent constitution, of introducing the united
colonists――now the _United States of America_――into the sisterhood of
nations.
Thus, it was not until the twilight of the eighteenth century that
we had an organized nationality, and it was not until the dawn of
the nineteenth that we began to have a literature. Prior to this we
looked abroad for everything except the products of our soil. Neither
manufacturing nor literature sought to raise its head among us. The
former was largely prohibited by our generous mother, who wanted
to make our clothes and furnish us with all manufactured articles;
literature was frowned upon with the old interrogation, “Who reads
an American book?” But simultaneously with the advent of liberty upon
our shores was born the spirit of progress――at once enthroned and
established as the guardian saint of American energy and enterprise.
She touched the mechanic and the hum of his machinery was heard
and the smoke of his factory arose as an incense to her, while our
exhaustless stores of raw materials were transformed into things of
use and beauty; she touched the merchant and the wings of commerce
were spread over our seas; she touched the scholar and the few
institutions of learning along the Atlantic seaboard took on new life
and colleges and universities multiplied and followed rapidly the
course of civilization across the mountains and plains of the West.
But the spirit of progress did not stop here. Long before that time
Dr. Johnson had declared, “The chief glory of every people arises from
its authors,” and our people had begun to realize the force of the
truth, which Carlyle afterwards expressed, that “A country which has
no national literature, or a literature too insignificant to force
its way abroad, must always be to its neighbors, at least in every
important spiritual respect, an unknown and unesteemed country.” The
infant nation had now begun its independent history. Should it also
have an independent literature; and if so, what were the bases for
it? The few writers who had dared to venture into print had dealt with
European themes, and laid their scenes and published their books in
foreign lands. What had America, to inspire their genius?
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account