Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Mrs. Whitman, in her reminiscences of Poe, tells us the
following incident which gave rise to the writing of these
touching lines. While Poe was in the Academy at Richmond,
Virginia,――as yet a boy of about sixteen years,――he was invited
by a friend to visit his home. The mother of this friend was a
singularly beautiful and withal a most kindly and sympathetic
woman. Having learned that Poe was an orphan she greeted him
with the motherly tenderness and affection shown toward her
own son. The boy was so overcome that it is said he stood for
a ♦minute unable to speak and finally with tears he declared
he had never before known his loss in the love of a true and
devoted mother. From that time forward he was frequently a
visitor, and the attachment between him and this kind-hearted
woman continued to grow. On Poe’s return from Europe when he
was about twenty years of age, he learned that she had died
a few days before his arrival, and was so overcome with grief
that he went nightly to her grave, even when it was dark and
rainy, spending hours in fancied communion with her spirit.
Later he idealized in his musings the embodiment of such a
spirit in a young and beautiful woman, whom he made his lover
and whose untimely death he imagined and used as the
inspiration of this poem.
♦ ‘miuute’ replaced with ‘minute’
AH, broken is the golden bowl,
The spirit flown forever!
Let the bell toll!
A saintly soul
Floats on the Stygian river;
And, GUY DE VERE,
Hast _thou_ no tear?
Weep now or never more!
See, on yon drear
And rigid bier
Low lies thy love, LENORE!
Come, let the burial-rite be read――
The funeral-song be sung!――
An anthem for the queenliest dead
That ever died so young――
A dirge for her the doubly dead,
In that she died so young!
“Wretches! ye loved her for her wealth,
And hated her for her pride;
And when she fell in feeble health,
Ye bless’d her――that she died!
How _shall_ the ritual, then, be read?
The requiem how be sung
By you――by yours, the evil eye――
By yours the slanderous tongue
That did to death the innocence
That died, and died so young?”
_Peccavimus_;
But rave not thus!
And let a sabbath song
Go up to God so solemnly, the dead may feel no wrong!
The sweet LENORE
Hath “gone before,”
With Hope, that flew beside,
Leaving thee wild
For the dear child
That should have been thy bride――
For her, the fair
And _debonair_,
That now so lowly lies,
The life upon her yellow hair
But not within her eyes――
The life still there,
Upon her hair――
The death upon her eyes.
Public-domain text, read in full here on John Shaqi.
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