The opinions of my father respecting the clergy and the Court of Rome were certainly narrow and prejudiced; but with his good sense it was impossible for him not to perceive what was manifest even to a blind man. During our journey he kept insinuating (without appearing, however, to attach much importance to it) that it was always advisable to speak with proper respect of a country where we had been well received, even if we had noticed a great many abuses and disorders. To a certain extent, this counsel was well worthy of attention. He was doubtless much grieved at the want of decency apparent in one section of that society, or, to use a modern expression, at its absence of respectability; but he consoled himself by thinking, like Abraham the Jew in the 'Decameron,' that no better proof can be given of the truth of the religion professed by Rome than the fact of its enduring in such hands. This reasoning, however, is not quite conclusive; for if Boccaccio had had patience to wait another forty years, he would have learnt, first from John Huss, and then from Luther and his followers, that although in certain hands things may last a while, it is only till they are worn out. What Boccaccio and the Jew would say now if they came back, I do not venture to surmise, MY FIRST VENTURE IN ROMANCE From 'My Recollections' While striving to acquire a good artistic position in my new residence, I had still continued to work at my 'Fieramosca,' which was now almost completed. Letters were at that time represented at Milan by Manzoni, Grossi, Torti, Pompeo Litta, etc. The memories of the period of Monti, Parini, Foscolo, Porta, Pellico, Verri, Beccaria, were still fresh; and however much the living literary and scientific men might be inclined to lead a secluded life, intrenched in their own houses, with the shyness of people who disliked much intercourse with the world, yet by a little tact those who wished for their company could overcome their reserve. As Manzoni's son-in-law, I found myself naturally brought into contact with them. I knew them all; but Grossi and I became particularly intimate, and our close and uninterrupted friendship lasted until the day of his but too premature death. I longed to show my work to him, and especially to Manzoni, and ask their advice; but fear this time, not artistic but literary, had again caught hold of me. Still, a resolve was necessary, and was taken at last. I disclosed my secret, imploring forbearance and advice, but no _indulgence_. I wanted the truth, the whole truth, and nothing but the truth. I preferred the blame of a couple of trusted friends to that of the public. Both seemed to have expected something a great deal worse than what they heard, to judge by their startled but also approving countenances, when my novel was read to them. Manzoni remarked with a smile, "We literary men have a strange profession indeed--any one can take it up in a day. Here is Massimo: the whim of