Library of the World's Best Literature, Ancient and Modern — Volume 04
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Library of the World's Best Literature, Ancient and Modern — Volume 04
Literature -- Collections
Here was Christ's profession of his faith; here is the history also of
his examination, to see whether he were fit to preach or not. It is
remarkable that in both these instances the most significant indication
that he had, both of his descent from God and of his being worthy of the
Messiahship, consisted in this simple exposition of the line of his
preaching,--that he took sides with the poor, neglected, and lost. He
emphasized this, that his gospel was a gospel of mercy to the poor; and
that word "poor," in its most comprehensive sense, looked at
historically, includes in it everything that belongs to human misery,
whether it be by reason of sin or depravity, or by oppression, or by any
other cause. This, then, is the disclosure by Christ himself of the
genius of Christianity. It is his declaration of what the gospel meant.
It is still further interpreted when you follow the life of Christ, and
see how exactly in his conduct he interpreted, or rather fortified, the
words of the declaration. His earliest life was that of labor and
poverty, and it was labor and poverty in the poorest districts of
Palestine. The dignified, educated, and aristocratic part of the nation
dwelt in Judea, and the Athens of Palestine was Jerusalem. There Christ
spent the least part of his life, and that in perpetual discussions. But
in Galilee the most of his miracles, certainly the earlier, were
performed, and the most of his discourses that are contained bodily in
the gospels were uttered. He himself carried out the declaration that
the gospel was for the poor. The very miracles that Christ performed
were not philosophical enigmas, as we look at them. They were all of
them miracles of mercy. They were miracles to those who were suffering
helplessly where natural law and artificial means could not reach them.
In every case the miracles of Christ were mercies, though we look at
them in a spirit totally different from that in which he performed them.
Public-domain text, read in full here on John Shaqi.
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