Library of the World's Best Literature, Ancient and Modern — Volume 07 — John Shaqi
Library of the World's Best Literature, Ancient and Modern — Volume 07
General
Library of the World's Best Literature, Ancient and Modern — Volume 07
Literature -- Collections
From 'An Examination Paper,' 'The Posthumous Papers of the
Pickwick Club'
Ballad (Imitation of Jean Ingelow)
Lovers, and a Reflection (Imitation of Jean Ingelow)
Visions
Changed
Thoughts at a Railway Station
"Forever"
FULL-PAGE ILLUSTRATIONS
VOLUME VII
PAGE
Persian Manuscript (Colored Plate) Frontispiece
John Bunyan (Portrait) 2748
Edmund Burke (Portrait) 2780
Robert Burns (Portrait) 2834
Burns Manuscript (Facsimile) 2844
"Banks and Braes o' Bonnie Doon" (Etching) 2866
Lord Byron (Portrait) 2936
"Newstead Abbey" (Etching) 2942
"The Bull-Fight" (Photogravure) 3004
Julius Cæsar (Portrait) 3038
Calderon (Portrait) 3072
John Caldwell Calhoun (Portrait) 3088
VIGNETTE PORTRAITS
Henry Cuyler Bunner
Gottfried August Bürger
Frances Burney
Sir Richard F. Burton
Robert Burton
John Burroughs
Horace Bushnell
Samuel Butler
George W. Cable
Thomas Henry Hall Caine
HENRY CUYLER BUNNER
(1855-1896)
The position which Henry Cuyler Bunner has come to occupy in the
literary annals of our time strengthens as the days pass. If the stream
of his genius flowed in gentle rivulets, it traveled as far and spread
its fruitful influence as wide as many a statelier river. He was above
all things a poet. In his prose as in his verse he has revealed the
essential qualities of a poet's nature: he dealt with the life which he
saw about him in a spirit of broad humanity and with genial sympathy.
When he fashioned the tender triolet on the pitcher of mignonette, or
sang of the little red box at Vesey Street, he wrote of what he knew;
and his stories, even when embroidered with quaint fancies, tread firmly
the American soil of the nineteenth century. But Bunner's realism never
concerned itself with the record of trivialities for their own sake.
When he portrayed the lower phases of city life, it was the humor of
that life he caught, and not its sordidness; its kindliness, and not its
brutality. His mind was healthy, and since it was a poet's mind, the
point upon which it was so nicely balanced was love: love of the trees
and flowers, love of his little brothers in wood and field, love of his
country home, love of the vast city in its innumerable aspects; above
all, love of his wife, his family, and his friends; and all these
outgoings of his heart have found touching expression in his verse.
Indeed, this attitude of affectionate kinship with the world has colored
all his work; it has made his satire sweet-tempered, given his tales
their winning grace, and lent to his poetry its abiding power.
Public-domain text, read in full here on John Shaqi.
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