Discounting what we will in the natural enthusiasm of one who has devoted himself heart and soul to the cause of the Gaelic tongue and of Irish literature, quite enough remains to carry the contention for the continuing interest of native Irish poetry after so many centuries. That such a poetry and such a language should suddenly decay after so noble and enriched a record in the past, is nothing short of a tragedy in the history of tongues. Dr. Hyde's own collection of the 'Love Songs of Connacht' is the best example that American readers could possibly have of this Irish poetry, the late flowering of so venerable and noble a tree. And with this work, and some of the collections of the folk-tales still current in Erse-speaking Ireland, made by Dr. Hyde, Mr. Jeremiah Curtin, and Mr. Larminie, and Englished for us, we must bring this brief outline of the Irish contribution to Celtic literature to a close. Its modern interpretation is only now beginning to take its due place, let us remember, both at the hands of its scholars and on the lips of its poets. And if any reader should think the scholars still, after all we have said, too difficult to follow, let us recommend them to turn to the poems and tales of Mr. W. B. Yeats and to the romantic pages of Mr. Standish O'Grady, the latest exponents in our more modern tongue of that imagination, and that subtlety and energy of thought, which are characteristically Irish. Of the three great cycles of Gaelic literature, the third is the (so-called) Ossianic. Of this cycle Finn (Fionn, Fingal) is the central hero. The second great cycle is that which treats of the heroes of the Ultonians, _i. e._, the Red Branch of Ulster; among this cycle Cuculain (Cuchullin, Cohoolin, Coolin) is the supreme type. No living writer has so well reconstructed the past for us as Mr. Standish O'Grady has done, and nowhere is he so successful as in his vivid and beautiful historical romance, of which Cuculain is the hero. Of the famous "battle-prop of the valor and torch of the chivalry of the Ultonians" Mr. O'Grady has given us an account which deserves to pass into the fixed literature of our race. Apart from its vividness, charm, and power, 'The Coming of Cuculain' affords a general idea of the first great heroic cycle (its predecessor dealing entirely with mythical or mythopoeic beings), and of primitive heroic life as reflected in that literature. The excerpts selected are (1) the opening of the romance, and (2) from the chapter telling how Cuculain won his knighthood. FROM 'THE COMING OF CUCULAIN' I