_Rémonin_--Certainly. Love is an element of the natural evolution of our being; it comes to us of itself in course of our life, at one time or another, independent of all our will, and even without a definite object. The human creature can wish to be in love before really loving any one!... But marriage is a social combination, an adjustment, that refers itself to chemistry, as I have said; since chemistry concerns itself with the action of one element on another and the phenomena resulting: ... to the end of bringing about family life, morality, and labor, and in consequence the welfare of man, as involved in all three. Now, so often as you really can conform to the theory of such a blending of things, so long as you happen to have effected in marriage such a combination of the physical _and_ chemical, all goes well; the experiment is happy, it results well. But if you are ignorant or maladroit enough to seek and to make a combination of two refractory chemical forces in the matrimonial experiment, then in the place of a fusion you will find you have only inert forces; and the two elements remain there, together but unfused, eternally opposed to each other, never able to be united!... Or else there is not merely inertia--there are shocks, explosions, catastrophes, accidents, dramas.... _Madame de Rumières_--Have you ever been in love? _M. Rémonin_--I? My dear marquise, I am a scientist--I have never had time! And you? _Madame de Rumières_--I have loved my children. M. de Rumières was a charming man all his life; but he didn't expect me really to love him. My son tells me his affairs of the heart; ... my daughter has already made me a grandmother ... I have little to reproach myself as to my past life, and now I look on at the lives of others, sometimes much interested. I am like the subscribers to the Opéra, who know the whole repertory by heart, but who can always hear some passages with pleasure and who encourage the débutants. Condensed and translated for 'A Library of the World's Best Literature,' by E. Irenæus Stevenson. REFORMING A FATHER From 'A Prodigal Father' [The ensuing dialogue occurs in the first act of the play. The Count de Ravonnieres and his son Andre reside together in their comfortable bachelor's establishment in Paris, and are devotedly attached to one another. The count, unfortunately, has only grown more careless of money, more a gay man of the world, as he has grown older; and blessed with a youthfulness of physique and temperament that nothing impairs, he is as thriftless as he is fascinating. His son, accordingly, has had to be the economist of their resources, which are at a dangerous ebb. As the scene opens, the count is preparing to take luncheon, with Joseph, the confidential servant of the house, in attendance.] _Joseph_--Monsieur is served.