At the outset of his career he found himself received with consideration by the men whose acquaintance he most desired. Following the fashion of the day, and inspired by the books of anecdotes so successfully published by his friend Douce, D'Israeli in 1791 produced anonymously a small volume entitled 'Curiosities of Literature,' the copyright of which he magnanimously presented to his publisher. The extraordinary success of this book can be accounted for only by the curious taste of the time, which still reflected the more unworthy traditions of the Addisonian era. It was an age of clubs and tea-tables, of society scandal-mongering and fireside gossip; and the reading public welcomed a contribution whose refined dilettantism so well matched its own. The mysteries of Eleusis and the origin of wigs received the same grave attention. This popularity induced D'Israeli to buy back the copyright at a generous valuation; he enlarged the work to five volumes, which passed through twelve in his own lifetime, and still serves to illustrate a curious literary phase. Other compilations of similar nature met the same success: 'The Calamities of Authors,' 'Quarrels of Authors,' and 'Literary Recollections'; but the 'Amenities of Literature,' his last work, is the most purely literary in form, and affords perhaps the best index to D'Israeli's abilities as a writer. The reader of to-day, however, is struck by the ephemeral nature of this criticism, which yet by a curious literary experience is keeping a place among the permanent productions of its age. The reader is everywhere impressed by the human sympathy, by the wide if rather superficial knowledge, and by innumerable felicities of expression and style, which betray the cultivated mind. To lovers of the curious the books still appeal, and they will continue to hold an honorable place among the bric-a-brac of literature. The spirit of curiosity which characterized the mind of D'Israeli assumed its most dignified concrete form in the 'Commentaries on the Reign of Charles I.' D'Israeli had an artistic sense of the values in a historical picture, with a keen perception of the importance of side lights; and although the book is not a great contribution to the literature of history, yet it became popular, and in July 1832 earned for its author the degree of D.C.L. from Oxford.