Library of the World's Best Literature, Ancient and Modern — Volume 13
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Library of the World's Best Literature, Ancient and Modern — Volume 13
Literature -- Collections
"How can you ask! Who could become acquainted with noble Croesus
without loving him? Who could help admiring the excellent qualities of
the young heroes, your friends? They have become dear to our house,
especially your beautiful brother Bartja, who won all hearts. The
Egyptians are averse to strangers, but whenever Bartja appeared among
them a murmur of admiration arose from the gaping throng."
At these words the King's face grew dark. He gave his horse a heavy
blow, so that it reared, turned its head, galloped in front of his
retinue, and in a few minutes reached the walls of Babylon....
The walls seemed perfectly impregnable, for they were two hundred
cubits high, and their breadth was so great that two carriages could
easily pass each other. Two hundred and fifty high towers surmounted
and fortified this huge rampart. A greater number of these citadels
would have been necessary if Babylon had not been protected on one
side by impenetrable marshes. The enormous city lay on both sides of
the Euphrates. It was more than nine miles in circumference, and the
walls protected buildings which surpassed even the pyramids and the
temples of Thebes and Memphis in size....
Nitetis looked with astonishment at this huge gate; with joyful
emotion she gazed at the long wide street, which was festively decked
in her honor.
JOSE ECHEGARAY
(1832-)
[Illustration: Jose Echegaray]
The period of political disorder and disturbance which followed the
revolution of 1868 in Spain was also a period of disorder and decline
for the Spanish stage. The drama--throwing off the fetters of French
classicism that paralyzed inspiration at the beginning of the
century--had revived for a time. But after its rejuvenescence of the
glories of the Golden Age of Spanish literature, uniting a new beauty
of form with truth to nature in the Classic-Romantic School, it sank
into a debasement hitherto unknown. Meretricious sentiment, dullness,
or buffoonery, chiefly of foreign production, occupied the scene
before adorned by the imagination, the wisdom, and the wit, of a
Zorilla, a Tamayo, a Ventura de la Vega.
Public-domain text, read in full here on John Shaqi.
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