Library of the World's Best Literature, Ancient and Modern — Volume 15
General
Library of the World's Best Literature, Ancient and Modern — Volume 15
Literature -- Collections
[2] The first stanza in the original will show the structure
of this true "ballad" in the primitive sense of a dance-song.
There are five of these stanzas, carrying the same rhymes
throughout:--
A l'entrada del temps clar,--eya,--
Per joja recomencar,--eya,--
E per jelos irritar,--eya,--
Vol la regina mostrar
Qu' el' est si amoroza.
REFRAIN
Alavi', alavia, jelos,
laissaz nos, laissaz nos
ballar entre nos, entre nos!
[3] Games and songs of children are still to be found which
preserve many of the features of these old dance-songs. The
dramatic traits met with in the games point back now to the
choral poetry of pagan times, when perhaps a bit of myth was
enacted, now to the communal dance where the stealing of a
bride may have been imitated.
[4] Unless otherwise credited, translations are by the
writer.
That is, "if spring were here, and the girls were going to the village
dance"; for ball-playing was not only a rival of the dance, but was
often combined with it. Walther's dactyls are one in spirit with the
fragments of communal lyric which have been preserved for us by
song-loving "clerks" or theological students, those intellectual
tramps of the Middle Ages, who often wrote down such a merry song of
May and then turned it more or less freely into their barbarous but
not unattractive Latin. For example:--
Now is time for holiday!
Let our singing greet the May:
Flowers in the breezes play,
Every holt and heath is gay.
Let us dance and let us spring
With merry song and crying!
Joy befits the lusty May:
Set the ball a-flying!
If I woo my lady-love,
Will she be denying?[5]
[5] From 'Carmina Burana,' a collection of these songs in
Latin and German preserved in a MS. of the thirteenth
century; edited by J. A. Schmeller, Breslau, 1883. This song
is page 181 ff., in German, 'Nu Suln Wir Alle Froeude Han.'
The steps of the dance are not remote; and the same echo haunts
another song of the sort:--
Dance we now the measure,
Dance, lady mine!
May, the month of pleasure,
Comes with sweet sunshine.
Winter vexed the meadow
Many weary hours:
Fled his chill and shadow,--
Lo, the fields are laughing
Red with flowers.[6]
[6] Ibid., page 178: 'Springe wir den Reigen.'
Or the song at the dance may set forth some of the preliminaries, as
when a girl is supposed to sing:--
Care and sorrow, fly away!
On the green field let us play,
Playmates gentle, playmates mine,
Where we see the bright flowers shine,
I say to thee, I say to thee,
Playmate mine, O come with me!
Gracious Love, to me incline,
Make for me a garland fine,--
Garland for the man to wear
Who can please a maiden fair.
I say to thee, I say to thee,
Playmate mine, O come with me![7]
[7] Ibid., page 213: 'Ich wil Truren Varen lan.'
Public-domain text, read in full here on John Shaqi.
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