Library of the World's Best Literature, Ancient and Modern — Volume 16
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Library of the World's Best Literature, Ancient and Modern — Volume 16
Literature -- Collections
His task, regarded as a whole, was to do over again the work
of the Renascence. But whereas the Renascence had been a large
national or European movement, advancing towards its ends partly
through popular passions and a new enthusiasm, the work which
Goethe accomplished was more an affair of intelligence, criticism,
conscious self-direction. It was less of a flood sweeping away old
dikes and dams, and more of a dawn quietly and gradually drawing
back the borders of darkness and widening the skirts of light. A
completely developed human being, for the uses of the world,—this
was the ideal in which Goethe's thoughts centred, and towards which
his most important writings constantly tend. A completely developed
State or commonwealth should follow, as an ideal arising out of the[Pg 6388]
needs and demands of a complete individual. Goethe knew that
growth comes not by self-observation and self-analysis, but by exercise.
Therefore he turned himself and would turn his disciples to
action, to the objective world; and in order that this action may be
profitable, it must be definite and within a limited sphere. He
preaches self-renunciation; but the self-renunciation he commends is
not self-mortification; it is the active self-abandonment of devotion to
our appropriate work. Such is the teaching of 'Wilhelm Meister':
it traces the progress of a youth far from extraordinary, yet having
within him the capacity for growth, progress through a thousand
errors and illusions, from splendid dreams to modest reality. Life is
discovered by Wilhelm to be a difficult piece of scholarship. The
cry for freedom in 'Götz,' the limitless sigh of passion heard in
'Werther,' are heard no more. If freedom is to be attained, it can
only be through obedience; if we are to "return to nature," it cannot
be in Rousseau's way but through a wise art of living, an art not at
odds with nature, but its complement:—
"This is an art which does mend nature—but
The art itself is nature."
Public-domain text, read in full here on John Shaqi.
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