The furniture is of the simplest kind. We used some tables that we had, and bought one new one, some bentwood chairs for the older children and others such as are used in kindergartens for the younger. Pratt Institute lent us that first winter the very attractive illustrations by the Misses Whitney for Louisa Alcott's "Candy country." Some friends who were breaking up housekeeping gave the room a case of native and foreign stuffed birds with the hope that they might be as great a source of pleasure to the children as they had been to them in their childhood. Another friend sent us two trunks of curiosities from Europe, Asia, Africa and North America, which are shown a few at a time. The next summer, 1905, the book-talks were about pictures in the room, most of which had been bought with our friends' gifts. Windsor Castle, Kenilworth, Heidelberg Castle, The Alhambra, St. George, King Arthur, Sir Walter Scott, the Canterbury Pilgrims, some Shakespeare stories. On the Alhambra afternoon, a girl who had spent her first year out of college in Spain described the palace and showed curiosities from Granada. One day a Civil War nurse who happened in was persuaded to tell the boys and girls in the room about the three weeks she spent in the White House, taking care of Tad Lincoln through a fever. Some years later we were fortunate enough to hear her again in the room above, on Abraham Lincoln's hundredth birthday, when she held the attention of a large number of boys and girls for more than an hour. The next summer "What you can get out of a Henty book" was used as an excuse for showing books and pictures about the Crusades, Venice, the knights of Malta, the Rebellion of the Forty-five, the East India Company, the siege of Gibraltar, the Peninsula war, and modern Italy. That summer we had a puzzle-club to show younger children how to work the puzzles in St. Nicholas and other magazines and newspapers. We held our first Christmas exhibition that year, 1906, in the room itself, for one day only, before the hour of opening. After an exhibition of lace in the Athenaeum the next spring, the specialist who arranged it held the attention of her audience of girls between ten and fourteen, giving a practical illustration of the making of pillow-lace, showing specimens of different kinds, pointing out the use of lace in old-fashioned costumes for children, and exhibiting a piece of Valenciennes which had been stolen by a catbird and recovered before it was woven into a nest. This talk was given at my request, because we could find almost nothing on lace in books for children, and the exhibit was then attracting much notice.