England -- Fiction; Psychological fiction; Repression (Psychology) -- Fiction; Single women -- Fiction; Women -- England -- Fiction
Ida, the wax doll, sat on the drawing-room sofa, dressed ready for the
birthday. The darling had real person’s eyes made of glass, and real
eyelashes and hair. Little finger and toenails were marked in the wax,
and she smelt of the lavender her clothes were laid in.
But Emily, the new birthday doll, smelt of composition and of gum and
hay; she had flat, painted hair and eyes, and a foolish look on her
face, like Nurse’s aunt, Mrs. Spinker, when she said “Lawk-a-daisy!”
Although Papa had given her Emily, she could never feel for her the
real, loving love she felt for Ida.
And her mother had told her that she must lend Ida to Connie Hancock if
Connie wanted her.
Mamma couldn’t see that such a thing was not possible.
“My darling, you mustn’t be selfish. You must do what your little guest
wants.”
“I can’t.”
But she had to; and she was sent out of the room because she cried. It
was much nicer upstairs in the nursery with Mimi, the Angora cat. Mimi
knew that something sorrowful had happened. He sat still, just lifting
the root of his tail as you stroked him. If only she could have stayed
there with Mimi; but in the end she had to go back to the drawing-room.
If only she could have told Mamma what it felt like to see Connie with
Ida in her arms, squeezing her tight to her chest and patting her as
if Ida had been _her_ child. She kept on saying to herself that Mamma
didn’t know; she didn’t know what she had done. And when it was all over
she took the wax doll and put her in the long narrow box she had come
in, and buried her in the bottom drawer in the spare-room wardrobe. She
thought: If I can’t have her to myself I won’t have her at all. I’ve got
Emily. I shall just have to pretend she’s not an idiot.
She pretended Ida was dead; lying in her pasteboard coffin and buried in
the wardrobe cemetery.
It was hard work pretending that Emily didn’t look like Mrs. Spinker.
II
She had a belief that her father’s house was nicer than other people’s
houses. It stood off from the high road, in Black’s Lane, at the head
of the town. You came to it by a row of tall elms standing up along Mr.
Hancock’s wall. Behind the last tree its slender white end went straight
up from the pavement, hanging out a green balcony like a bird cage above
the green door.
The lane turned sharp there and went on, and the long brown garden wall
went with it. Behind the wall the lawn flowed down from the white house
and the green veranda to the cedar tree at the bottom. Beyond the lawn
was the kitchen garden, and beyond the kitchen garden the orchard;
little crippled apple trees bending down in the long grass.
She was glad to come back to the house after the walk with Eliza, the
nurse, or Annie, the housemaid; to go through all the rooms looking for
Mimi; looking for Mamma, telling her what had happened.
Public-domain text, read in full here on John Shaqi.
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