Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
Miss Polly, having, as she expressed it, "an eye for symptoms,"
possessed an artistic rather than a scientific interest in disease; and
the vivid realism of her descriptions had often, on her "sewing days" at
home, reduced Gabriella to faintness, though Mrs. Carr, with her more
delicate sensibilities, was able to listen with apparent enjoyment to
the ghastly recitals. Not only had Miss Polly achieved in her youth a
local fame as a "sick nurse," but, in the days when nursing was neither
sanitary nor professional, she was often summoned hastily from her
sewing machine to assist at a birth or a burial in one of the families
for whom she worked. And happy always, as befits one whose life,
stripped bare of ephemeral blessings, is centred upon the basic
realities, she was never happier than when she put down her sewing, took
off her spectacles, exchanged her apron for a mantle, and after
carefully tying her bonnet strings, departed for a triumphant encounter
with the Eternal Issues.
"I am so anxious about mother," said Gabriella. "Did she tell you she
was going to Florida?"
"She cert'ny did. She was real full of it, and she talked a lot about
you all up here--the baby and you and Mr. George. You know I ain't laid
my eyes on Mr. George mo' than three times in my life. Well, I reckon
I'd better be gettin' along back, or the children will miss me. I've got
four children to do for now, and one of 'em ain't any bigger than
Frances. It does seem funny--don't it, for an old maid to have her hands
full of children? But, you know, I always did dote on children. There
wouldn't be half so much fun in this world if it wan't for children and
men, and there ain't a mite of difference between them under their
skins. Yes, I can find my way back real easy. I always was good at
finding my way about, and all I've got to do is to set out and walk in
that direction till I come to a car over yonder by that high building,
and as soon as I get on I'll ask the conductor to put me off right at my
do'."
When she had gone, Gabriella went back into the nursery, and stood
looking down at little Frances, who had fallen asleep, with the smile of
an angel on her face. "I wonder if I can be the least bit like Jane?"
she said aloud while she watched the sleeping child.
Public-domain text, read in full here on John Shaqi.
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