Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
George did not come home to dinner; and the wonder was still in
Gabriella's mind when she dressed herself in her black net gown, and
went downstairs to meet Florrie, who looked younger and more brilliant
than ever in a dress of white and silver brocade. Florrie's husband, a
dreamy, quiet man,--the safe kind of man, Gabriella reflected, who
inevitably marries a dangerous woman--regarded his noisy wife with a
guileless admiration which was triumphantly surviving a complete
submergence in the sparkling shallows of Florrie's personality. He was a
man of sense and of breeding. He possessed the ordinary culture of a
gentleman as well as the trained mind of a lawyer, yet he appeared
impervious alike to the cheapness of Florrie's wit and the vulgarity of
her taste. Her beauty had not only blinded him to her mental
deficiencies; it had actually deluded him into a belief in her
intelligence. He treated her slangy sallies as if they were an original
species of humour; he accepted the sweeping comment of her ignorance as
if it had been an inspired criticism of life. While she chattered,
parrotlike, to the judge, who was obviously impressed by her appearance,
Algernon listened to her ejaculatory conversation with a mixture of
admiration and awe.
"How do you think Florrie is looking?" he asked in a low tone of
Gabriella, while his wife's laugh, high, shrill, penetrating in its dry
soprano quality, fluted loudly on the opposite side of the table. Beside
Patty's patrician loveliness, as serene and flawless as that of a
marble goddess, Florrie appeared cheap, common, and merely pretty to
Gabriella. The hard brilliancy of her surface was like a shining polish
which would wear off with sleep and have to be replenished each morning;
and while she watched her, Gabriella saw, in imagination, a vaguely
ominous outline surrounding her which might have been the uncertain edge
of her mother's shadow. In twenty-five years Florrie would be the image
of her mother--protuberant hips, pinched waist, mottled complexion, and
hopelessly tarnished hair; yet, with this awful prospect before him,
Algernon could appear not only tolerant, but positively adoring. He had
seen Bessie--he had known her for years--and he could marry her
daughter!
"I never saw her look handsomer," said Gabriella, "that white and silver
gown is very becoming."
"That's what I told her, but she wouldn't believe me. She thought it was
too plain for her style. Your sister-in-law is something of Florrie's
type, isn't she? Not quite so striking a figure, perhaps, but the same
sort of colouring."
Was it possible that for the first time in his life the simple Algernon
was speaking in irony? Turning in her chair, she looked questioningly
into his kind, grave face, so empty of humour, into his serious gray
eyes, which followed each movement of his wife's with admiring
attention. No, he was not ironic; he was perfectly solemn. It was a
miracle--a miracle not of piety, but of passion--that she was
witnessing.
Public-domain text, read in full here on John Shaqi.
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