Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
To receive Madame's customers and display Madame's models were the last
occupations Gabriella would have chosen had she been able to penetrate
Madame's frivolous wig to her busy brain and detect her prudent schemes
for the future; but the girl was sick of her dependence on George's
father, and, in the revolt of her pride, she would have accepted any
honest work which would have enabled her to escape from the insecurity
of her position. Of her competence to earn a living, of her ability to
excel in any work that she undertook, of the sufficiency and soundness
of her resources, she was as absolutely assured as she had been when she
entered the millinery department of Brandywine & Plummer. If Madame,
starting penniless, had nevertheless contrived, through her native
abilities, to support three husbands and six children, surely the
capable and industrious Gabriella might assume smaller burdens with the
certainty of moderate success. It was not, when one considered it, the
life which one would have chosen, but who, since the world began, had
ever lived exactly the life of his choice? Many women, she reflected
stoically, were far worse off than she, since she started not only with
a modicum of business experience (for surely the three months with
Brandywine & Plummer might weigh as that) but with a knowledge of the
world and a social position which she had found to be fairly marketable.
That Madame Dinard would have accepted an unknown and undistinguished
applicant for work at a salary of fifteen dollars a week she did not for
an instant imagine. This inadequate sum, she concluded with a touch of
ironic humour, represented the exact value in open market of her
marriage to George.
In the front room, where a sparse mid-winter collection of hats
ornamented the scattered stands, she stopped for a few minutes to
inspect, with a critical eye, the dingy array. "I wonder what makes them
buy so many they can't sell?" she said half aloud to the model at which
she was gazing. "Nobody would wear these hats--certainly nobody who
could afford to buy Parisian models. I could design far better hats
than these, I myself, and if I were the head of the house I should never
have accepted any of them, no matter who bought them. I suppose, after
all, it's the fault of the buyer, but it's a waste--it's not economy."
Public-domain text, read in full here on John Shaqi.
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