Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
Lifting a green velvet toque trimmed with a skinny white ostrich feather
from the peg before which she was standing, she surveyed the august
French name emblazoned in gold on the lining. "Everything isn't good
that comes from Paris," she thought, with a shrug which was worthy of
Madame at her best. "Why, I wonder, can't Americans produce 'ideas'
themselves? Why do we always have to depend on the things the French
send over to us? Half the hats and gowns Madame has aren't really good,
and yet she makes people pay tremendous prices for things she knows are
bad and undistinguished. All that ought to be changed, and if I ever
succeed, if I ever catch on, I am going to change it." An idea, a whole
flock of ideas, came to her while she stood there with her rapt gaze on
the green velvet toque, which nobody had bought, and which she knew
would shortly be "marked down," august French name included, from forty
to fifteen and from fifteen to five dollars. Her constructive
imagination was at work recreating the business, and she saw it in fancy
made over and made right from the bottom--she saw Madame's duplicity
succeeded by something of Brandywine & Plummer's inflexible honesty, and
the flimsy base of the structure supplanted by a solid foundation of
credit. For she had come often enough to Dinard's to discern the
slipshod and unsystematic methods beneath the ornate and extravagant
surface. Her naturally quick powers of observation had detected at a
glance conditions of which the elder Mrs. Fowler was never aware. To
sell gowns and hats at treble their actual value, to cajole her
customers into buying what they did not want and what did not suit them,
to give inferior goods, inferior workmanship, inferior style wherever
they would be accepted, and to get always the most money for the least
possible expenditure of ability, industry, and honesty--these were the
fundamental principles, Gabriella had already discovered, beneath
Madame's flourishing, but shallow-rooted, prosperity. Brandywine &
Plummer did not carry Parisian models; their shop was not fashionable in
the way that the establishment of a New York dressmaker and milliner
must be fashionable; but the standard of excellence in all things
excepting style was far higher in the old Broad Street house in the
middle 'nineties than it was at Madame Dinard's during the early years
of the new century. Quality had been essential in every hat that went
from Brandywine & Plummer's millinery department; and Gabriella,
deriving from a mother who worked only in fine linen, rejected
instinctively the cheap, the tawdry, and the inferior. She had heard a
customer complain one day of the quality of the velvet on a hat Madame
had made to order; and pausing to look at the material as she went out,
she had decided that the most prosperous house in New York could not
survive many incidents of that deplorable sort. To be sure, such
material would not have been supplied to Mrs. Pletheridge, or even to
the elder Mrs.
Public-domain text, read in full here on John Shaqi.
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