Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
General
Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
The door opened as if yielding under protest, and Marthy entered, still
hurriedly tying the strings of the clean apron she had slipped on over
her soiled one before answering the door-bell.
"Yo' beau done come, Miss Ella. Ain't you gwine?"
"No, I'm not going to the party, Marthy, but ask him to wait just a
minute."
"He's settin' over yonder in de parlour wid his overcoat on."
"Well, ask him to take it off; I'll be there in a moment." She spoke as
gravely as Marthy had done, yet in her face there was a light play of
humour.
Two years ago she would have thrilled with joy at the thought that
Arthur was waiting for her; but in those two years since her engagement
she had grown to look upon her first love as the gossamer, fairylike
romance of a child. For months she had known that the engagement must be
broken sooner or later; and she knew now, while she listened to Marthy's
shuffling feet hastening to deliver her message, that she must break it
to-night. In the dim pool of her mirror a face looked back at her that
was not the face of Arthur Peyton; she saw it take form there as one
sees a face grow gradually into life from the dimness of dreams. It was,
she told herself to-night, the very face of her dream that she saw.
"Well, I must get it over," she said with a sternness which gave her a
passing resemblance to the Saint Memin portrait of the Reverend
Bartholomew Berkeley; "I've got to get it over to-night, and whatever
happens I've got to be honest." Then, with a last glance at the sleeping
children, she lowered the gas, and went across the darkened hail, which
smelt of pickles and bacon because one end of it was used as a
storeroom.
The parlour had been swept since the family council had deliberated
there over Jane's destiny. The scraps of cambric had been gathered up
from the threadbare arabesques in the carpet; the chairs had been placed
at respectable distances apart; the gas-jets in the chandelier were
flaming extravagantly under the damaged garlands; and the sewing machine
had been wheeled into the obscurity of the hail, for it would have
humiliated Gabriella's mother to think that her daughter received young
men in a room which looked as if somebody had worked there.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account