Life and Gabriella: The Story of a Woman's Courage — John Shaqi
Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
General
Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
Unmoved among them the baby beat methodically on his mother's breast
with his rubber ring, as indifferent to her sobs as to the intermittent
tearful "coos" of his grandmother. He had a smooth bald head, fringed,
like the head of a very old man, with pale silken hair that was almost
white in the sunshine, and his eyes, as expressionless as marbles,
stared over the pot of hyacinths at a sparrow perched against the deep
blue sky on the red brick wall of the opposite house. From beneath his
starched little skirt his feet, in pink crocheted shoes, protruded with
a forlorn and helpless air as if they hardly belonged to him.
"Oh, my poor child, what are we going to do?" asked Mrs. Carr in a
resigned voice as she returned to her hemming.
"There's nothing to do, mother," answered Jane, without lifting her eyes
from the baby's head, without moving an inch out of the position she had
dropped into when she entered the room. Then, after a sobbing pause, she
defined in a classic formula her whole philosophy of life: "It wasn't my
fault," she said.
"But one can always do something if it's only to scream," rejoined
Gabriella with spirit.
"I wouldn't scream," replied Jane, while the pale cast of resolution
hardened her small flat features, "not--not if he killed me. My one
comfort," she added pathetically, "is that only you and mother know how
he treats me."
Her pretty vacant face with its faded bloom resembled a pastel portrait
in which the artist had forgotten to paint an expression. "Poor Jane
Gracey," as she was generally called, had wasted the last ten years in a
futile effort to hide the fact of an unfortunate marriage beneath an
excessively cheerful manner. She talked continually because talking
seemed to her the most successful way of "keeping up an appearance."
Though everybody who knew her knew also that Charley Gracey neglected
her shamefully, she spent twelve hours of the twenty-four pretending
that she was perfectly happy. At nineteen she had been a belle and
beauty of the willowy sort; but at thirty she had relapsed into one of
the women whom men admire in theory and despise in reality. She had
started with a natural tendency to clinging sweetness; as the years went
on the sweetness, instead of growing fainter, had become almost cloying,
while the clinging had hysterically tightened into a clutch. Charley
Gracey, who had married her under the mistaken impression that her type
was restful for a reforming rake, (not realizing that there is nothing
so mentally disturbing as a fool) had been changed by marriage from a
gay bird of the barnyard into a veritable hawk of the air. His behaviour
was the scandal of the town, yet the greater his sins, the intenser grew
Jane's sweetness, the more twining her hold. "Nobody will ever think of
blaming you, darling," said Mrs. Carr consolingly. "You have behaved
beautifully from the beginning. We all know what a perfect wife you have
been."
Public-domain text, read in full here on John Shaqi.
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