Life and Gabriella: The Story of a Woman's Courage — John Shaqi
Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
Still muttering, she stumbled down the walk and out of the gate, while
Gabriella returned to her mother's room and hurried the weeping children
into their shoes and stockings. Mrs. Carr, still in her flannel wrapper,
with her little flat gray curls screwed up on pins for the night, and
her thin ankles showing pathetically above her felt slippers, ran
nervously to and fro with mustard plasters and bottles of hot water
which she continually refilled from the kettle on the fender.
Occasionally she paused long enough to hold the camphor to Jane's nose
or to lift the quilt from the bottom of the bed and then put it
carefully back in the very spot where it had lain before she had touched
it. And because she was born to take two steps to every one that was
necessary, because she could not accomplish the simplest act without a
prodigious waste of energy and emotion, because she died twenty deaths
over the slightest anxiety, and, most of all, because she was the last
person on earth who ought to have been burdened with poverty and hard
work and an unhappily married daughter--because of all these things Mrs.
Carr wore herself to a shadow in the quarter of an hour they spent
waiting for the doctor and Charley Gracey.
Though she had brought Jane through at least a dozen "attacks," she
still lost her presence of mind as completely as on that January night
when, utterly distraught, she had hurried Gabriella to the first
death-bed scene of her sister; she still grew as forgetful of herself
and her own feelings, and, in obedience to some profound law of her
nature, she still as confidently "expected the worst." For Mrs. Carr's
philosophy, like Jane's, was of that active but dreary sort that thrives
best upon misery. Just as Jane, who had lost every illusion about
Charley, went on loving him in spite of it, so Mrs. Carr, having lost
her illusions about life, retained a kind of wistful fondness for the
thing that had wounded her.
The door-bell rang sharply, and Gabriella went to let in the doctor, a
brisk, authoritative young man of the new school, who had learned
everything there was to be known about medicine except the way to behave
in a sickroom, and who abhorred a bedside manner as heartily as if it
were calomel or castor oil. His name was Darrow, and he was the
assistant of old Dr. Walker, Mrs. Carr's family physician, who never
went out at night since he had passed his seventieth birthday.
Gabriella, who liked him because he was not anecdotal and gave small
doses of medicine, hastily led the way to her mother's room before she
ran back to meet Charley Gracey at the door of the dark parlour.
"You can't see her now. The doctor is with her," she whispered. "I'll
make a light in here and you can wait."
"Let me," said Charley, quite as pleasantly as if he were not a bad
husband, while he found a match and struck it on the sole of his foot.
Then, as the gas flared up, he exclaimed, with a low whistle, "By Jove,
you're a sight, Gabriella!"
Public-domain text, read in full here on John Shaqi.
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