Life and Gabriella: The Story of a Woman's CourageGlasgow, Ellen Anderson Gholson
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Life and Gabriella: The Story of a Woman's Courage
Glasgow, Ellen Anderson Gholson
Man-woman relationships -- Fiction; Virginia -- Fiction
The afternoon wore on; the soft golden light on the pavement was dappled
with shadows; and the wind, blowing over the iron urns in the yard,
scattered the withered leaves of portulaca over the grass. Though the
summer still lingered, and flowers were blooming behind the fences along
the street, the faint violet haze of autumn was creeping slowly over the
sunshine. Now and then an acquaintance, returning from afternoon
service, looked up to bow to her, and while the daylight was still
strong, Marthy, resplendent in Sunday raiment, came out of the little
green gate at the side of the yard and passed, mincing, in the direction
of the negro church. Then the door opened slowly, and the two old maids
came in and stopped for a minute at the parlour door to see if Gabriella
"had company."
"Such a lovely evening, my dear"--they never used the word
afternoon--"we went all the way to the cemetery. She was buried in her
grandfather's lot, you know, in the old part up on the hill. It was a
beautiful drive, but Amelia and I couldn't help thinking of the poor
young thing all the time."
It was Miss Jemima who had spoken, and her kind, plain face, all puffs
and pleasant wrinkles, had not yet relaxed from the unnatural solemnity
it had worn at the funeral. She was seldom grave, and never despondent,
though to Gabriella she appeared to lead an unendurable life. Unlike
Miss Amelia, she had not even a happy youth and a lover to look back
upon; she had nothing, indeed, except her unfailing goodness and
patience to support her.
"I don't like to see you alone, honey," she said, untying the strings of
her black silk bonnet, which fitted her cheerful features like a frame.
"If the doctor hadn't told me to go to bed as soon as I came in, we'd
sit a while with you for company."
She felt that it was morbid and unnatural in Gabriella to sit alone in a
dim room when there were so many young people out in the streets. "You
mark my words, there's some reason back of Gabriella's moping all by
herself," she remarked to Miss Amelia as she took off her "things" a few
minutes later. "It wouldn't surprise me a bit to hear that she'd had a
fuss with her sweetheart."
"I declare, sister Jemima, you are too sentimental to live," observed
Miss Amelia as she filled the tea kettle on the fender "Anybody would
think to hear you talk that there was nothing in life except making
love."
"Well, there isn't anything else so interesting when you're young. You
used to think so yourself, sister Amelia."
Standing gaunt and black, with the tea kettle held out stiffly before
her, Miss Amelia turned her tragic face on her sister.
"Well, I reckon you don't know much about it," she responded with the
unconscious cruelty of age. Having been once the victim of a great
passion, she had developed at last into an uncompromising realist,
wholly devoid of sentimentality, while Miss Jemima, lacking experience,
had enveloped the unknown in a rosy veil of illusion.
Public-domain text, read in full here on John Shaqi.
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