If the reader hesitates, let him go down into the streets and look in the
shop-windows at the photographs of eminent men, whether literary,
artistic, or scientific, and note the work which the consciousness of
knowledge has wrought on nine out of every ten of them; then let him go
to the masterpieces of Greek and Italian art, the truest preachers of the
truest gospel of grace; let him look at the Venus of Milo, the
Discobolus, the St. George of Donatello. If it had pleased these people
to wish to study, there was no lack of brains to do it with; but imagine
“what a deal of scorn” would “look beautiful” upon the Venus of Milo’s
face if it were suggested to her that she should learn to read. Which,
think you, knows most, the Theseus, or any modern professor taken at
random? True, the advancement of learning must have had a great share in
the advancement of beauty, inasmuch as beauty is but knowledge perfected
and incarnate—but with the pioneers it is _sic vos non vobis_; the grace
is not for them, but for those who come after. Science is like offences.
It must needs come, but woe unto that man through whom it comes; for
there cannot be much beauty where there is consciousness of knowledge,
and while knowledge is still new it must in the nature of things involve
much consciousness.
It is not knowledge, then, that is incompatible with beauty; there cannot
be too much knowledge, but it must have passed through many people who it
is to be feared must be more or less disagreeable, before beauty or grace
will have anything to say to it; it must be so incarnate in a man’s whole
being that he shall not be aware of it, or it will fit him constrainedly
as one under the law, and not as one under grace.
And grace is best, for where grace is, love is not distant. Grace! the
old Pagan ideal whose charm even unlovely Paul could not understand, but,
as the legend tells us, his soul fainted within him, his heart misgave
him, and, standing alone on the seashore at dusk, he “troubled deaf
heaven with his bootless cries,” his thin voice pleading for grace after
the flesh.
The waves came in one after another, the sea-gulls cried together after
their kind, the wind rustled among the dried canes upon the sandbanks,
and there came a voice from heaven saying, “Let My grace be sufficient
for thee.” Whereon, failing of the thing itself, he stole the word and
strove to crush its meaning to the measure of his own limitations. But
the true grace, with her groves and high places, and troups of young men
and maidens crowned with flowers, and singing of love and youth and
wine—the true grace he drove out into the wilderness—high up, it may be,
into Piora, and into such-like places. Happy they who harboured her in
her ill report.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account