He finds it difficult to remember even the difficulties he experienced in
learning to play. A few may have so impressed him that they remain with
him, but the greater part will have escaped him as completely as the
remembrance of what he ate, or how he put on his clothes, this day ten
years ago; nevertheless, it is plain he remembers more than he remembers
remembering, for he avoids mistakes which he made at one time, and his
performance proves that all the notes are in his memory, though if called
upon to play such and such a bar at random from the middle of the piece,
and neither more nor less, he will probably say that he cannot remember
it unless he begins from the beginning of the phrase which leads to it.
Very commonly he will be obliged to begin from the beginning of the
movement itself, and be unable to start at any other point unless he have
the music before him; and if disturbed, as we have seen above, he will
have to start _de novo_ from an accustomed starting-point.
Yet nothing can be more obvious than that there must have been a time
when what is now so easy as to be done without conscious effort of the
brain was only done by means of brain work which was very keenly
perceived, even to fatigue and positive distress. Even now, if the
player is playing something the like of which he has not met before, we
observe he pauses and becomes immediately conscious of attention.
We draw the inference, therefore, as regards pianoforte or violin
playing, that the more the familiarity or knowledge of the art, the less
is there consciousness of such knowledge; even so far as that there
should seem to be almost as much difficulty in awakening consciousness
which has become, so to speak, latent,—a consciousness of that which is
known too well to admit of recognised self-analysis while the knowledge
is being exercised—as in creating a consciousness of that which is not
yet well enough known to be properly designated as known at all. On the
other hand, we observe that the less the familiarly or knowledge, the
greater the consciousness of whatever knowledge there is.
Public-domain text, read in full here on John Shaqi.
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