Life and labor in the spirit world: Being a description of localities, employments, surroundings, and conditions in the spheres.Longley, Mary T. (Mary Theresa)
Religion
Life and labor in the spirit world: Being a description of localities, employments, surroundings, and conditions in the spheres.
Longley, Mary T. (Mary Theresa)
Spirit writings; Spirits
We entered the glass building. Within were planted shrubs and trees,
some of them bearing fruit, others seeds. There were no cages, but I
observed numerous nests attached to the bushes and trees. The floor was
the natural earth; the sun shone warmly, and all was beautiful. There
were no doors, but here and there entrance-ways, always open for the
convenience of the feathered denizens of the place, who came and went of
their pleasure. A stream of water gushed from a rock, and gurgled and
plashed over a heap of stones. This was the bird-house belonging to the
estate, and the especial pride of “Highland Mary.”
We tarried a few moments, and then continued our way to the house, which
we soon reached. How different the scene! A plain, unpretentious, white
dwelling, with no attempt at ornamentation, the sun shining down upon
it, fully displaying all its simplicity. Within was the same; neat and
cheerful, suggestive of comfort and repose, but nothing finical, nothing
tawdry; no glitter, no display. There was no covering to the cool, white
floors, excepting here and there a rug or mat of green rushes. The walls
of the apartment into which I was ushered were draped with a snowy
gossamer-like fabric; the chairs round, wide, and comfortable, the
tables oval and plain. Here we were served with refreshments,—fruit of
various kinds, sweet cake formed of honey and the meat of nuts, and
sparkling water.
Afterward I entered the sitting-room of spirit Mary. Here the walls were
draped with blue silken stuffs; the furnishings were more elaborate and
elegant than the other parts of the house, and all arranged in exquisite
taste. My hostess entertained us with her tender, soulful singing,
striking a harp-shaped instrument, which sent forth a delicious
accompaniment to the song.
In Mary’s apartment, or boudoir, I observed a pot of primroses in full
bloom, the yellow petals of the flowers recalling old familiar scenes of
earth; and the sight of these flowers recalled to me also that they were
the only ones I had noticed within the dwelling. This seemed singular to
me; with all that wealth of bloom and fragrance without, it would only
be natural to find every room adorned with slips and cuttings. Of course
the drift of my thought was perceived. Burns smiled, but Mary
enlightened me. “Robbie will never pluck a flower,” said she, “for his
own use; he does not think it right to bring them out of their native
elements, and deprive them of life on the stalk. He thinks they are hurt
when they are culled; he also leaves them all out to be enjoyed by
anyone who comes along; but I have seen him often break the flowers for
some wee lassie, or poor laddie, who luks at them wistfully. He knows by
that they had none too many flowers and pleasures on earth.”
Public-domain text, read in full here on John Shaqi.
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