If they were awake and there was nothing else to do, Aunt Alice taught
her charge from a little book, and told her about a number of useful
things. For one thing, it was quite wrong. Aunt Alice said, to kill
animals, and not really healthy to eat their flesh. Vegetables, bread,
milk and eggs had in them all that was good for human beings. Aunt Alice
was a vegetarian, and advised Lillian to become one. Lillian liked the
sound and size of the word, and could not bear the thought of killing
anything—animals especially. Besides, at the places they ate, one could
get more vegetables than meat for one’s money. One could get quite a lot
of potatoes for a nickel, or a dime; other things, too—baked beans,
which she still loved, and rice. They were not always good—sometimes
greasy and tasteless, but they filled up. Often the butter was bad,
especially. Still, if one could have a piece of pie at the end ... or a
plate of ice cream—a five cent plate ... she became a vegetarian.
All the actors paid their own expenses, except train fares. Unlike
Dorothy, Lillian received only ten dollars a week, but by close economy
could send more than half of it to her mother. Perhaps the economy was
too close, the physical foundation she was laying too slender.
And there was more than the need of food and sleep. A child—the wistful,
heart-hungry child that she was—needed more than even the kind-hearted
care of Aunt Alice: ... Companions, play ... the comfort of a mother’s
arms.... Darkness gathering in a lonely hotel room—a little figure
crouching at the window, staring into the night.
“What are you looking at, dear?”
“Nothing, Aunt Alice—just looking.”
Always her reply would be the same—always the same heart-hunger behind
it. A dozen, twenty years later, a slender, white figure on a window
seat, staring into the depths of the California night.
“What are you looking at, Lillian?” her mother asks.
“Nothing, Mother; just looking.”
* * * * *
Sometimes when the town was quite large and they played more than one
night, she got to sleep in a real bed, could take off her clothes and
have a bath—how splendid! Sometimes the paper in such a town had a piece
in it about the play, even once or twice with her picture. The others
thought this very fine, especially where their names were mentioned.
They bought a lot of the papers, and cut out the pieces. Lillian did not
value the notices very highly; what the paper said was not always true.
The picture was of the same sad-faced little girl she saw every morning
in the glass when Aunt Alice combed her hair. When one of the company
gave her a clipping for herself, she politely said “Thank you,” and put
it away in her little telescope, but she seldom looked at it.
Public-domain text, read in full here on John Shaqi.
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