She spoke of her mother, her early hardships, her final break. “All
those years of struggle and privation had to be paid for; her capital of
health and strength were exhausted, utterly.”
Her face, in the fading light, reflected from the river, took on an
added unreality.
“This is my favorite part of the day,” she said, and it came to me that
her remark, and the manner of it, removed her a step farther from her
surroundings: that she was, in fact, of Arcady.
IV
WORKING WITH LILLIAN
“Uncle Vanya” was to reopen in New York for two weeks at the Booth
Theatre, then it was going on the road—to Boston, to Chicago, to
Pittsburgh, to Philadelphia. There would be rehearsals, but we should
have a good deal of time to work, she said, and would I like to come
again tomorrow? It would be nearly four weeks until she left for Boston.
We could make a good start.
We worked the next day, and the next, and were to have worked on Sunday,
but she was ill when I arrived, and I saw her only briefly, her face
flushed with fever, a light attack of “grippe.” On that day, I first met
that rare woman, her mother, sweet and patient, her face like a
miniature, her hands the daintiest in the world. And then, a few days
later, that princess of comediennes, light-hearted Dorothy, “a bright
flag flying in the breeze,” to whom all the days are good days, all
music good music, to whom all clouds are lined with silver and spanned
with rainbows. The likeness between the sisters, whatever it had been
earlier, was hardly more now than a family suggestion that flashed
faintly at long intervals. They were, in fact, about as different as it
is possible for sisters to be.
Daily we rebuilt the sequence of the years—for Lillian a new occupation
which she entered into with zest. As I have told earlier her “den” had a
wide window that overlooked the East River—a cozy room, with small low
chairs which she loved—a proper setting for her. We almost always worked
there. It is associated with these pages.
Her memory of earlier happenings was vague. We relied a good deal upon
Dorothy, always in childhood with her mother, who had kept her memories
refreshed. To Lillian, those days of wandering had been one like
another—little to look forward to, less to look back upon—mere links in
a succession of one-night stands. Memory and anticipation do not prosper
on that nourishment.
Public-domain text, read in full here on John Shaqi.
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