In after years, she remembered that once a stage hand had knocked
another one down because he swore in front of her. Some of the company
may have been a bit dissipated, even dissolute; if so, it was outside of
her knowledge. There would come a day when she would realize that the
soubrettes probably had been as “tough” off as on the stage—that some of
the others were not saints. But to her, then, they were, and in her
memory would always remain, the best people in the world.
And talented; they said so themselves. All, including Lillian, looked
forward to playing New York. The others because it might mean a Broadway
engagement where their talents would be appreciated. Lillian, because
New York would mean her mother ... better meals ... a bed to sleep in at
night. Considerately, she did not mention these things, but looked out
of the window, thinking long thoughts. And this picture I am trying to
present is not only of that first year, but of the years that followed
it, one so nearly like another—except for the parts she took and the
rapidly increasing length of her slim legs—that in later years she found
it by no means easy to distinguish them.
Two events remembered from that first far-off engagement were
particularly tragic, both connected with running for trains. Always they
seemed to have been running for trains. Every night after the
performance there was the same scramble, even though they had to wait
for hours in a station that was too hot or too cold, with only those
divided benches to sleep on, or the telegraph desk, when the station
agent took pity on a tired little theatre-girl.
And often it seemed to be raining, or snowing, when they started for the
train, and there were single-board-crossings over the ditches, where you
could not hold to Aunt Alice’s hand and stay under her umbrella, and
where it was not easy for someone to pick you up, because all the
talented company carried their baggage, every fellow for himself.
So it happened that on one of those rainy nights, when she was running
behind Aunt Alice, across a narrow foot-bridge, lugging her little
telescope bag—there, right in the middle of the bridge—the treacherous
strap gave way, and all her possessions—her little nightgown, her
little extra stockings and underwears, her press-clippings,
everything—disappeared in the black, rushing torrent below. She did
not stop—no time for that, and no use, anyway—but raced on after Aunt
Alice, holding fast to the useless little strap of the telescope, and
crying—oh, crying. No money to send home that week—so many things to
buy.
Public-domain text, read in full here on John Shaqi.
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