If one might have looked into Mary Gish’s heart at this time, just what
would one have found there? Chiefly, of course, devotion to her
children—thought of their immediate welfare and needs. After that? Was
it to equip them for the career of actresses—a life which, unless they
were at the top, was hardly to be called enviable, and even at its best
was one of impermanent triumphs and fitful rewards? She knew pretty well
that with their special kind of beauty, which each day she saw
develop—their flair for subtle phases of human portrayal—given health,
they could count on at least reasonable success. Did she greatly desire
that? I think not. I think she considered it, but that her real purpose
was to keep her children and herself on the stage only until by close,
the very closest, economy, she had saved enough to establish herself in
a permanent business which would give them a home, where they could go
to school and grow into normal, or what she regarded as normal,
womanhood. I think the old prejudice which she had shared with her
family as to the theatre, did not die easily, and that for years she
felt herself more or less “beyond the pale,” willing to stay there only
because it meant a livelihood, with the possibility of something better,
something with a home in it, not too far ahead. We shall see the effort
she made in this direction, by and by, and what came of it—how the web
of circumstance had its will with her, as with us all.
[Illustration: A SCENE FROM “HER FIRST FALSE STEP”]
Whatever her plan, Mary Gish saw that she must educate her children.
Herself reared in a town that rather specializes in education, she had
known the advantage of excellent public schools. That her children
should have less than herself was a distressing thought. From little
books, at every spare moment, she taught them. In every town of
importance, she made it her business to learn what she could of its
history, its population, its industries, and of these she told them in
as interesting a form as she could invent. In the South, she told them
of the war; when it was possible, showed them landmarks, often taking
them on little excursions.
In one city she had a special interest: Chattanooga, where an uncle, a
Captain McConnell, had been killed in the battle above the clouds. When
she found they had time there, she took the children for a drive up
Lookout Mountain, telling them the story as they went along. And then a
remarkable thing happened: they came to a tablet by the roadside, and
paused to read the inscription. It was a tablet to Captain McConnell,
commemorating his bravery.
Public-domain text, read in full here on John Shaqi.
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