I. “Uncle Vanya”
II. “Helena” in New York
III. “The Penalty of Greatness”
IV. Working with Lillian
V. “Uncle Vanya” Takes the Road
VI. Reliving The Years
VII. A Few Notes
VIII. L’Envoi
------------------------------------------------------------------------
ILLUSTRATIONS
“Helena”
A Scene from “Her First False Step”
Lillian and Dorothy Gish
David Wark Griffith
Lillian and Dorothy, During the Griffith Period
Lillian as Elsie Stoneman, in “The Birth of a Nation”
Mrs. Gish and “Her Girls,” Mary Pickford, Mildred Harris, Dorothy
and Lillian
Lillian Gish and Richard Barthelmess in “Broken Blossoms”
“Anna Moore”
The River Scene in “Way Down East”
“The White Sister”
“Romola”
Mimi at the Pawnshop ... “La Bohême”
Miss Gish as Hester Prynne, in “The Scarlet Letter”
“Wind.” Letty, Burying the Man She Had Killed
“The First Lady of the Screen”
“Camille”
------------------------------------------------------------------------
_PROLOGUE_
(Scene: Chekhov’s “Uncle Vanya”—end of second act. Lillian Gish as
Helena)
_First Woman in Front of Me_: “They say she’s been playing over
twenty-five years.”
_Second Woman in Front of Me_: “Goodness! How old is she?”
“The piece I read said about thirty or so....”
“Oh, began as a child; is Gish her real name?”
“I believe so; the piece said....”
“Do you like these Russian plays?”
“I like _her_, in anything. I _loved_ her in ‘Broken Blossoms,’ though
it nearly killed me.”
“I wonder why she left the movies.”
“Oh, lots of ’em do; the piece said....”
“Do you suppose that is all her own hair?”
“Oh, I think so; the piece said....”
------------------------------------------------------------------------
LIFE AND LILLIAN GISH
PART ONE
I
A GIRL CHILD, BORN WITH A CAUL
When Lillian was six, she found herself with a company (one night
stands, mostly), “trouping” through the Middle West— ... the
golden-haired child actress who supplied the beauty and pathos in a
melodrama variously known as “The Red Schoolhouse” and “In Convict
Stripes.” All of which had come about reasonably enough—as reasonably as
anything is likely to happen, in a world where nothing seems at all
reasonable until we begin taking it to pieces.
* * * * *
Public-domain text, read in full here on John Shaqi.
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