Lillian’s recollection of that engagement is chiefly a mental picture of
a tall and beautiful woman—Sarah—who each night in the wings, as they
waited to go on, laid her hand on her head and said, tenderly, something
in French—“Le petit ange aux beaux cheveux d’or,” if one may hazard a
guess. Then, with another little girl, she danced. She was deeply
impressed by the fact that the stage was covered with canvas, for the
actors to walk on. The stages she had known were not like that—oh, not
at all. And did somebody appear and carry her off, quite suddenly—kidnap
her? She has that impression, but cannot be certain.
Long afterwards, when she herself had become famous, Madame Bernhardt
sent her affectionate messages.
Lillian’s memory was never very good as to events and surroundings. She
memorized her parts easily enough, and her lessons, because she worked
very hard at any task. At the beginning of each season came a period of
rehearsing—with many new “sides” (pages) to be learned, if the play was
a new one. Absorbing things, these. Other matters—the daily round, the
people she met, the details of an environment—interfered little with the
cadences of her thoughts, left but a drifting impression on that fairy
mind of hers. While still a child, she had seen too much, and too
many—of everything. And it had all been just a pursuit of sleep and
desirable food, and a longing for the shelter of a mother’s arms. That
last, especially—when one was not well ... nights ... days, too ... oh,
yes, and the ache of homesickness ... is it any wonder that more and
more her face took on that wistful look that one day would be regarded
almost as its chief charm?
There were happier things—even another Christmas Tree, quite a big one!
In Detroit, the stage entrance of the theatre where “At Duty’s Call” was
playing, opened on an alley, and just across was a store where
automobile parts were sold. The men who owned it went to the play, and
took enough interest in the “child star” to go to the manager and offer
to have a tree for her, in their back room. All the company was invited,
and came. Such a beautiful tree, with so many nice things on it! A
grateful little girl was quite overcome; especially by a handsome sled
which the company had bought for her. Everybody said that it must go
with her, on the road. And they saw to it that it did. Always, after
that, when there was snow—even if only just a little snow—they pulled
her to the station on it, after the performance.
XII
MASSILLON DAYS
Seasons changed ... the years went on. From the train window, Lillian
saw the snow come, then go, leaving only lines along the hedgerows, or
white tracks across the watery meadows to show which way winter had
passed. Then flowers, bits of blue and white and yellow ... after that,
summer, and New York, or maybe Massillon.
Public-domain text, read in full here on John Shaqi.
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