Life and religion of the Hindoos. : $b With a sketch of my life and experience.Gangooly, Joguth Chunder
Religion
Life and religion of the Hindoos. : $b With a sketch of my life and experience.
Gangooly, Joguth Chunder
Hindus; India -- Social life and customs
I saddened at the thought that on my return from a Christian
country, those fingers that fix my shirt now would not touch _me_.
The last words I heard from her mouth were these, “Joguth, do not eat
confectionaries on the way: you are sick, and can’t digest those rich
things, child. Come right home after the school, and you will find your
supper ready.” “Mother,” thought I, “the supper which you so kindly
wish to prepare for me will be, I am afraid, a two-edged sword for you.
I do not know where I shall take my supper to-night,” etc.
Thus equipped with moral courage, taking no money, nor clothing, but
a trusting heart, I left home and its inmates never to enter therein
again, as my own. I commended my kind mother and other dear friends to
the care of Him, the good Father of all.
In order to make another effort in relation to that young lady’s
ornament, I called at the goldsmith’s house, but with no better
success. A dear young Brahmun friend, who is a hearer of Mr. Dall,
and to whom I had confided my secrets, informed me that if I would go
with him to a public woman’s house, I might possibly find the artist
there. As there was no time to lose, and the ornament must be obtained
and returned to the owner, I agreed to his suggestion. There, on the
Ganges, stood the cottage of sin, and as we knocked at its outer door,
a female voice inquired, “Who are you?” “Please let us go in,” said my
friend. “No,” she said, “first tell me what you want, and then I’ll
see whether I can let you in or not.” “I want to see Ombika for a
minute, and that is all.” “Ombika is not here,” she said, and we heard
her voice no more. “What is to be done?” I said. “You come with me,”
my gallant friend replied; “there is a large opening on the wall which
would be a capital approach for us to get into the house.” I hesitated
a little, but he said I must do it, under the necessity,--that these
cunning girls must be intruded upon that way. Slowly we walked to the
opening, which was large enough to admit us both into the house. We
found the artist there, and I asked him to return the ornament to me.
He began to make excuses, said it was not quite ready, but would take a
couple of days to finish it. “Friend,” said I, “I cannot wait a couple
of hours for it. I am going to a distant place, so please return it to
me just as it is.” He talked and argued about the matter, and wanted to
know how long I would be gone. Of course, I could not tell him directly
about my plans. He returned the ornament partly done. It would not have
been safe _at all_ for me to have returned it to the owner for two
reasons: first, that she lives so near my mother that if I went to her
my mother would the first person to see me, and her fears and surmises
would be doubly confirmed by my untimely return from the school;
secondly, the young lady would feel surprised to find her jewelry half
finished, and suspect my proceedings, and inform my mother accordingly.
Public-domain text, read in full here on John Shaqi.
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