Life and Travel in India: Being Recollections of a Journey Before the Days of RailroadsLeonowens, Anna Harriette
History
Life and Travel in India: Being Recollections of a Journey Before the Days of Railroads
Leonowens, Anna Harriette
India -- Description and travel; India -- Social life and customs
white, anointed with holy oil, and wearing garlands of fresh flowers
around his neck, he goes in procession, accompanied by his friends and
relatives, to the bride's house, where he and his friends are welcomed
as guests by the bride's father. The future wife is allowed to appear,
and is generally veiled, so that even then the young couple do not see
very much of each other.
On the afternoon of the day appointed for the wedding company to
assemble at the house of the bride's father a raised platform is placed
at one end of the hall; here the bridegroom takes his place, surrounded
by the priests. Presently the bride enters the room accompanied by her
father, who does homage to his future son and places his daughter at his
right hand. After this a young priest enters bearing a large censer
containing a charcoal fire, which is placed at their feet, and is
emblematic of their warm affection. Two priests stand before them
holding each a lighted torch in his hands, reciting some very beautiful
prayers; meanwhile the bride rises and treads three times on a stone and
_muller_[44] placed beside her, and which is meant to indicate that the
cares and duties she is now about to assume as a married woman will be
carefully observed. The bridegroom then makes an oblation of oil and
frankincense to the fire, as typical of his gratitude to the gods for
the blessing which is now about to crown his life; this done, the priest
hands him a torch, which he takes and waves three times around the
person of his bride, signifying that his love will always surround and
brighten her existence; he then drops it into the pan or censer at their
feet. The bride now scatters a handful of rice and a little oil as an
oblation to the gods. The chant having ceased, the father steps up, and,
taking a new upper and a lower garment, clothes the person of his
daughter; he then fastens the end of her dress to the skirts of her
lover's robe, and, taking the bride's hand, he places it in that of the
bridegroom, binding them together with a mystic cord which is made of
their sacred grass, typifying the delicacy of the marriage-tie, the
strength and solidity of which depends not so much on the fragile cord
which binds them, as on the individual will and resolution not to break
it asunder. Then, conducted by the bridegroom, the young bride steps
seven times around the sacred fire, repeating the marriage vows, the
priests chant the nuptial hymn, and the marriage is consummated.
Public-domain text, read in full here on John Shaqi.
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