Life and Travel in Lower Burmah: A RetrospectPaske, C. T. (Charles Thomas)
History
Life and Travel in Lower Burmah: A Retrospect
Paske, C. T. (Charles Thomas)
Burma -- Description and travel
The words of the Bard concerning the good and evil deeds of mankind
have no application to the lamented Commissioner; he left no evil deeds
to survive him, nor were his many good ones lost with him, for as long
as Burmah is inhabited—and there is not at present any very startling
prospect of a decrease in its population—his memory will be revered by
Native and European alike, a monument more lasting than stone or brass.
For a conquered race the Burmese certainly held their heads remarkably
erect, looking the usurper straight in the face without any shame for
their own position. The fact was, a very superficial acquaintance with
our habits and mode of living had convinced them of our superiority in
every respect—save one.
It is very curious that every Eastern native looks down on our music
with undisguised contempt. Our bands might discourse the gems of
Chopin, Beethoven, and Balfe, but only the veriest loiterer would stop
to listen, and, to judge by his expression, it fell as flat on his ear
as a penny trumpet would on ours.
Real music was too refined and complicated for nerves accustomed
throughout generations to coarser measures in harmony. This was the
same all over Hindostan; and it is therefore surprising that our
regimental native bands were remarkably good before the Mutiny.
A Burmese band consisted of a number of drums in a circle, and diverse
brass instruments, awful to look upon, and still more awful to hear;
though what they lacked in harmony they certainly made up for in noise.
With the exception of the ubiquitous and irrepressible mosquito, the
whole of the lower creation fled before it; and only a sense of dignity
prevented many of us from following suit.
The performers must have been animated by extraordinary zeal, if
the manner in which they hammered on the drums and blew through the
wind-instruments be any criterion. As I invariably hastened in a
direction opposite to that which was taken by the performers, I never
witnessed the climax of the celebration; but if it continued for long
on the same _crescendo_ principle as that with which it passed me,
I should think it must ultimately have resulted in rupture of the
drum-heads and explosion of the remaining instruments.
The effect of music on nations, and through them on individuals,
certainly furnishes matter for a deal of interesting study and
comparison. In the primitive state it is simple and natural: Eastern
nations make use of it to produce temporary excitement, a method that
we have retained in our military bands, or, combined with dancing, as
the food of love.
Public-domain text, read in full here on John Shaqi.
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