Life and works of Alexander Csoma de Körös : $b A biography compiled chiefly from hitherto unpublished dataDuka, Tivadar
History
Life and works of Alexander Csoma de Körös : $b A biography compiled chiefly from hitherto unpublished data
Duka, Tivadar
Kőrösi Csoma, Sándor, 1784-1842
interpreter with me, who dipped into one of the books and read some
passages relating to science. I could not but gaze with wonder and
reverence upon those relics of learning now no longer useful, but
as dead records: nobody turns over the fine pages of those ancient
and extraordinary works, upon which time has made but little
change, and in so cold and arid a climate will remain when the
temple itself falls to ruin, and this is going on gradually; but
two hundred years have effected little decay. The type of the
printing is very beautiful, and looks fresh; bound as they are
closely together, in an atmosphere without insects or moisture, in
a climate rude even in summer, they seem calculated to defy time
itself. In former days those books were read and people attended
here at prayers, but now there is nothing left of what has once
been. The masters are gone for ever, but the temple and books stand
still, like the pyramids, pointing to times which have no other
record. I was much tempted to commit sacrilege here, and steal away
some of the scientific volumes, but I had not a good opportunity.
“The edition of the ‘Kahgyur’ and ‘Stangyur’ at Kanum was sent from
Teshi Lhunpo only about nine years ago; the printing bears a date
of ninety years, yet the ink and type look as perfect and fresh as
ever. No insects attack them, though the climate here is varying in
summer. The book-cases being made of cedar are indestructible. The
fact of printing in Tibet, however curious, can no longer be
questioned, for I myself have brought down a specimen of it from
Sungnam. The types are not movable, but cut in wooden frames, which
must be productive of great labour and bulkiness, if used to any
extent; but I suspected that at Teshi Lhunpo and Lassa the types
are alphabetical, and like our own are movable. Should this not be
the case, the only other substitute instead of frames would be
lithography, which is known to prevail there; but Mr. Csoma says
that the art of printing dates a little posterior to the era which
discovered it in Europe. There are no images in the temple at
Kanum, and worship seems to be performed out of pure respect for
the house of learning. Kanum is the only spot of Kunawur which
possesses those works entire.
Public-domain text, read in full here on John Shaqi.
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