"You have been a disgracefully long time, Millicent," her cousin
answered her apology. "But"--she looked at the beautifully gowned
figure, the lovely, imaginative face, thereby, like a good showman,
calling Mr. Brockton's attention to them--"we'll forgive you."
"Oh, it wasn't primping that kept me. I stopped for a few minutes at
the schoolroom door. Poor Lena! She seemed to be feeling the
responsibilities of erudition terribly this morning. She showed me her
botany slides with such an air! Do you know what genus has the
_rostellum_, Anna?"
"No, I don't," said Anna, shortly. "And Lena's growing up a perfect
young prig. I'll have to change governesses. Heaven knows what I'll
draw next time! The last one had charm, but no learning, and mighty
little intelligence. This one has no manner at all, and is of
encyclopaedic information. A daughter's a terrible responsibility."
"Isn't she?" Millicent's tone was one of affectionate raillery as she
gathered her draperies about her in the automobile. The notion of
Anna's responsibilities amused her; Anna was so untouched by them--as
smooth-skinned, as slim and vivacious, as the forty-year-old mother of
two boys entering college, a girl in the schoolroom and another in the
nursery, as she had been as a _debutante_.
"Oh, you may make fun," said Anna, snapping open the frothy thing she
called a sunshade, "but you don't know how I lie awake nights,
shuddering lest Lena grow up a near-sighted girl with no color and
serious views."
Millicent only smiled as the great machine moved off. The sunshine,
the rare and ordered beauty of the place, the fragrance of the soft
winds, all lapped her in indolence. As they neared the gate that gave
upon the open road, a turn brought them in sight of the front of the
house. It was very beautiful. She breathed deeply in the content of
the sight--the delicate lines, the soft color, the perfection of
detail. In the gardens were stained, mellow columns and balustrades
which Anna had brought from the dismantled palace in the Italian hills
where she had found them. Everywhere wealth made its subtlest, most
delicate appeal to her eyes.
"My house," thought Millicent, as they shot out of the grounds, "shall
be different, but as beautiful. The Tudor style, I think, and for my
out-of-door glory a vast rose-garden,--acres, if I please!" Then she
called sternly to her straying imagination. She was picturing what she
might have as the wife of the man before her--the man whose first
proposal she had unhesitatingly refused, whose appearance at Lakeholm
she had regarded as proof of disloyalty on Anna's part--the man who at
the best represented to her only the artistic possibilities of riches.
She dismissed her reverie with a frown and joined in the talk.
"Do you know," she confessed, "I forget where it is that we are going?"
Public-domain text, read in full here on John Shaqi.
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