"That was the last thing Will Hayter did,"--Anna interrupted his
question. "And the first, so to speak. It was a fairly important
commission. Jessup, the Trya Drop liniment man, came from
Riverfield--he has a mammoth place outside now. When he began to coin
money faster than the mint, he gave lots of things to his
birthplace--which has always blushed for him. It's prouder that
Whittier once spent Sunday with one of its citizens than that Alonzo
Jessup is its son. Well, he gave the library and museum, and the
commission went to Will Hayter. The Hayters came from here two or
three generations ago. It was just before his death, and Millicent has
been abroad almost ever since. So she had never seen it."
Brockton gave a look of speechless chagrin at his hostess, which she
answered haughtily:
"My dear Mr. Brockton, after all, I never undertook to be a
marriage-broker!" Then she glanced at the chauffeur and forbore.
Meantime Millicent sat in one of the square exhibition-halls. The
sweet air, with the scent of hay from the farther country faintly
impregnating it, blew through the quiet. No one else shared the room
with her. The even light soothed her eyes, the stillness calmed the
fluttering apprehension in her breast which had presaged she knew not
what fresh anguish of loss. There were pictures on the walls--one or
two not despicable originals which Trya Drop Jessup had given, many
copies, and a few specimens of Riverfield's native talent. But she saw
none of them, any more than one sees the windows and the paintings in
a great cathedral in the first fulness of reverence. To her this was a
sacred place. That grief had lost its poignancy, that youth and health
with cruel insistence had reasserted their sway over her life, did not
mean forgetfulness, unfaith.
"Truly, truly,"--she almost breathed the words aloud,--"there has been
no other one. That was my love, young as we were. But I must fill up
the days--I must fill up the days."
* * * * *
Her eyes were fixed unseeingly upon a great canvas at the other end of
the hall. Some Riverfield hand had portrayed a Riverfield
imagination's conception of the moment in the life of Christ when, the
temptations of Satan withstood, angels came to Him upon the mountain.
In the lower distance the kingdoms of the world grew dim beneath the
shadow that fell from the vanquished and retreating tempter, and from
the opening heavens a dazzling cloud of angels streamed toward the
solitary Figure on the height. By and by Millicent's eyes took note of
it. She half smiled. There was daring at least!
Public-domain text, read in full here on John Shaqi.
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