Holding on to the banister, she climbed the stairs forlornly to the
upper chambers. In her own room Davie found her by and by. She was
sitting up very straight in her rocker, a baby's long clothes on her
lap. Her expression of pain was gone, and in its stead was the strange
peace of a woman who sees her first-born. She looked up absently at
her husband.
"Melindy Ethel," her voice crooned, "was so little 'n' warm."
"You must jest lay down 'n' rest, dearie," he urged, anxiously. He
took the things from her and laid them back, one by one, in the lower
drawer of the high, glass-knobbed bureau whence she had taken them.
The thin stuff of the little, listless sleeves and yellowed skirts
clung to his roughened fingers; he freed them with gentleness.
"An' her hair would hev curled," she said, when the last piece was in.
Davie had been kneeling among his vegetables that summer-time long
since that Elizabeth had come to stand beside him in their garden,
pushing from her forehead her heavy falling hair, then dark, in the
way she had if very glad. Seeing that she had something to tell him,
and wondering at her eyes, he waited for her to speak. She did not
keep him long. For an instant her serene glance went up to the blue
sky. Then her hands stretched out to him.
"Davie," she began, "that old cradle of your ma's--" She broke off
shyly.
Davie stayed on his knees. He could not at once answer her, but could
only grope toward her blindly. Presently her touch calmed him.
"It rocks from head to foot," he quavered in joy, "'stead o' from side
to side--the motion's better for 'em."
Striving to go well through her troubled months until her hour should
come, Elizabeth smiled often at Davie, and sometimes the smile was a
tender laugh in her throat--Davie clumping excitedly over the farm about
his work; Davie bringing home from town the cautious purchase of a child's
sack, and crying out in exultation, "It's got tossels on it!" Davie
storing singular treasures in a box in the garret--seed-pods which
rattled when you shook them; scarlet wood-berries, gay and likely to
please; a tin whistle, a rubber ball, a doll with joints, and a folded
paper having written on it, "For Croup a poultis of onions and heeting
the feet"; and Davie, his importance dropped from him as a garment,
coming to put his head down against her shoulder.
"I dun'no'," he said to her, "as a man better feel too uppity 'bout
becomin' a pa. It's an awful solemn undertakin', an' the more you
think it over the solemner it gets. Seems to me it's somethin' like
playin' the fiddle. There can't jest anybody rush in an' play a real
good time on a fiddle--takes a terrible lot o' preparin' 'n' hard work
to tech them little strings to music. An' mebbe the man that can tech
'em the best is him that's always been clean 'n' honest 'n' real
grave. I'm beginnin' to feel so no 'count--why, I dun'no' a note o'
fiddle music!"
Public-domain text, read in full here on John Shaqi.
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