H. H. Tuttle (1919) describes an extreme example of behavior simulating a wounded bird. He says: "She struck the leaves with a slight thud and turned over on her side, while the toes of one up-stretched leg clutched at the air and her tail spread slowly into a pointed fan. * * * Deceived for a moment then, I turned a step in her direction. She lay quite still except for a quivering wing. I reached out toward her with a small stick and touched her side; she screamed pitifully; I stretched out my hand to pick her up, but with a last effort she righted herself, and by kicking desperately with one leg, succeeded in pushing forward a few inches." We associate this warbler with dry, rocky hillsides where the ground is strewn with dead leaves, but the bird may breed also in the dry portions of shady, wooded swamps. _Voice._--The black-and-white is one of the high-voiced singers. Its song is made up of a series of squeaky couplets given with a back-and-forth rhythm, a seesawing effect, like the ovenbird's song played on a fine, delicate instrument. It may be suggested by pronouncing the syllables _we see_ rapidly four or five times in a whispered voice. In the distance the song has a sibilant quality; when heard near at hand a high, clear whistle may be detected in the notes. The final note in the song is the accented _see_. Albert R. Brand (1938), in his mechanically recorded songs of warblers, placed the black-and-white's song as the fourth highest in pitch in his last of 16 species, the black-poll, blue-winged, and the Blackburnian being higher. He gives the approximate mean (vibrations per second) of the black and white as 6,900 and of the blackpool as 8,900. Aretas A. Saunders (MS.) says: "The pitch of the songs varies, according to my records, from B´´´ to E´´´´, a range of three and a half tones more than an octave. A single song, however, does not vary more than three and a half tones." A second song, not heard, I think, until the bird has been on its breeding ground for some time, is rather more pleasing, less monotonous, than the first. It is longer, somewhat faster, more lively, and is modulated in pitch. Francis H. Allen (MS.) speaks of it thus: "Later in the season a more elaborate song is very commonly heard. I have been accustomed to syllabify it as _weesy, weesy, weesy, weesy, woosy, woosy, weesy, weesy_. The notes indicated by _woosy_ really differ from the others only by being pitched lower." Occasionally we hear aberrant songs which prove puzzling until we can see the singer. Allen remarks that he has heard several such songs, and I remember hearing one in which the lower note of each couplet was reduplicated, thereby strongly suggested one of the songs of the Blackburnian warbler. Sometimes _Mniotilta_ sings during flight. I once heard a song from a bird flying within a few feet of me--at this range a sound of piercing sharpness.