Life in the Clearings versus the Bush — John Shaqi
Life in the Clearings versus the BushMoodie, Susanna
History
Life in the Clearings versus the Bush
Moodie, Susanna
Frontier and pioneer life -- Ontario; Moodie, Susannah, 1803-1885; Ontario -- Description and travel
Turn to the north, and observe that old-fashioned, red-brick house, now
tottering to decay, that crowns the precipitous ridge that overlooks
the river, and which doubtless at some very distant period once formed
its right bank. That house was built by one of the first settlers in
Belleville, an officer who drew his lot of wild land on that spot. It
was a great house in those days, and he was a great man in the eyes of
his poorer neighbours.
This gentleman impoverished himself and his family by supplying from
his own means the wants of the poor emigrants in his vicinity during
the great Canadian famine, which happened about fifty years ago. The
starving creatures promised to repay him at some future period. Plenty
again blessed the land; but the generous philanthropist was forgotten
by those his bounty had saved. Peace to his memory! Though unrewarded
on earth, he has doubtless reaped his reward in heaven.
The river Moira, which runs parallel with the main street of the town,
and traverses several fine townships belonging to the county of Hastings
in its course to the bay, is a rapid and very picturesque stream. Its
rocky banks, which are composed of limestone, are fringed with the
graceful cedar, soft maple, and elegant rock elm, that queen of the
Canadian forest. It is not navigable, but is one great source of the
wealth and prosperity of the place, affording all along its course
excellent sites for mills, distilleries, and factories, while it is the
main road down which millions of feet of timber are yearly floated, to
be rafted at the entrance of the bay.
The spring floods bring down such a vast amount of lumber, that often a
jam, as it is technically called, places the two bridges that span the
river in a state of blockade.
It is a stirring and amusing scene to watch the French Canadian
lumberers, with their long poles, armed at the end with sharp spikes,
leaping from log to log, and freeing a passage for the crowded timbers.
Handsome in person, and lithe and active as wild cats, you would
imagine, to watch their careless disregard of danger, that they were
born of the waters, and considered death by drowning an impossible
casualty in their case. Yet never a season passes without fatal
accidents thinning their gay, light-hearted ranks.
These amphibious creatures spend half their lives in and on the waters.
They work hard in forming rafts at the entrance of the bay during the
day, and in the evening they repair to some favourite tavern, where
they spend the greater part of the night in singing and dancing. Their
peculiar cries awaken you by day-break, and their joyous shouts and
songs are wafted on the evening breeze. Their picturesque dress and
shanties, when shown by their red watch-fires along the rocky banks of
the river at night, add great liveliness, and give a peculiarly romantic
character to the water scene.
Public-domain text, read in full here on John Shaqi.
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