The tones in which the last sentences were uttered, and the creaking of
the bedstead indicated that the fireman was composing his massive limbs
to rest, and scarcely had Mrs Dashwood resumed her washing, when his
regular heavy breathing proclaimed him to be already in the land of Nod.
Quietly but steadily did Mrs Dashwood pursue her work. Neat little
under-garments, and fairy-like little socks, and indescribable little
articles of Lilliputian clothing of various kinds, all telling of the
little rosebud in the crib, passed rapidly through Mary's nimble
fingers, and came out of the tub fair as the driven snow. Soon the
front of the fire-place became like a ship dressed with flags, with this
difference, that the flags instead of being gay and parti-coloured, were
white and suggestive of infancy and innocence. The gentle noise of
washing, and the soft breathing of the sleepers, and the tiny ticking of
the clock over the chimney-piece, were the only audible sounds, for
London had reached its deadest hour, four o'clock. Rioters had
exhausted their spirits, natural and artificial, and early risers had
not begun to move.
Presently to these sounds were added another very distant sound which
induced Mary to stop and listen. "A late cab," she whispered to
herself. The rumbling of the late cab became more distinct, and soon
proved it to be a hurried cab. To Mary's accustomed ear this raised
some disagreeable idea. She cast a look of anxiety into the closet,
wiped her hands quickly, and taking up a pair of dry boots which had
been standing near the fire, placed them beside her husband's coat.
This was barely accomplished when the hurried cab was heard to pull up
at the neighbouring fire-station. Only a few seconds elapsed when
racing footsteps were heard outside. Mary seized her husband's arm--
"Up, Joe, up," she cried and darted across the room, leaped on a chair,
and laid violent hands on the tongue of the door-bell, thereby
preventing a furious double ring from disturbing the rosebud!
Public-domain text, read in full here on John Shaqi.
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