The present version of "The Purgatory of Saint Patrick" is, with the
exception of a few unimportant lines, an entirely new translation.
It is made with the utmost care, imitating all the measures and
contained, like the two preceding dramas, in the exact number of
lines of the original. One passage of the translation which I
published in 1853 is retained in the notes, as a tribute of respect
to the memory of the late John Rutter Chorley, it having been
mentioned with praise by that eminent Spanish scholar in an elaborate
review of my earlier translations from Calderon, which appeared in
the "Athenaeum", Nov. 19 and Nov. 26, 1853.
It only remains to add that the text I have followed is that of
Hartzenbusch in his edition of Calderon's Comedias, Madrid, 1856
("Biblioteca de Autores Espanoles"). His arrangement of the scenes
has been followed throughout, thus enabling the reader in a moment to
verify for himself the exactness of the translation by a reference to
the original, a crucial test which I rather invite than decline.
CLAPHAM PARK, Easter, 1873.
LIFE IS A DREAM.
TO
DON JUAN EUGENIO HARTZENBUSCH,
POET, DRAMATIST, NOVELIST, AND CRITIC,
THE MOST ILLUSTRIOUS OF LIVING SPANISH WRITERS,
THIS TRANSLATION
INTO ENGLISH IMITATIVE VERSE
OF
CALDERON'S MOST FAMOUS DRAMA,
IS INSCRIBED,
WITH THE ESTEEM AND REGARD
OF
THE AUTHOR.
PERSONS.
* * * * *
BASILIUS, King of Poland.
SIGISMUND, his Son.
ASTOLFO, Duke of Muscovy.
CLOTALDO, a Nobleman.
ESTRELLA, a Princess.
ROSAURA, a Lady.
CLARIN, her Servant.
Soldiers.
Guards.
Musicians.
Attendants.
Ladies.
Servants.
* * * * *
The Scene is in the Court of Poland, in a fortress at some distance,
and in the open field.
LIFE IS A DREAM.
* * * * *
ACT THE FIRST.
At one side a craggy mountain, at the other a tower, the lower part
of which serves as the prison of Sigismund. The door facing the
spectators is half open. The action commences at nightfall.
SCENE I.
ROSAURA, CLARIN.
ROSAURA in man's attire appears on the rocky heights and descends to
the plain. She is followed by CLARIN.
Public-domain text, read in full here on John Shaqi.
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