Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth centuryLenclos, Ninon de
Philosophy
Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth century
Lenclos, Ninon de
Lenclos, Ninon de, 1620-1705
However, after due reflection, I think I should be very silly to take
offence at this. You are two children whose follies will amuse me, I
ought to look upon them with the eye of a philosopher, and finish by
being the friend of both. Come then, at once, and assure me if that
resolution will suit you. Now, do not play the petty cruel role any
more. Come and make peace. These poor children; one of them has such
innocent motives, the other is so sure of her virtue, that to stand in
the way of their inclination, is surely to afflict them without
reason.
XXXV
The Heart Should be Played Upon Like the Keys of a Piano
I am beginning to understand, Marquis, that the only way to live with
the most reasonable woman, is never to meddle with her heart affairs.
I have, therefore, made up my mind. Henceforward I shall never mention
your name to the Countess unless she insists upon my doing so; I do
not like bickerings.
But this resolution will change nothing of my sentiments for you, nor
my friendship for her. And, although I still stand her friend, I shall
not scruple to make use of my friendship, so far as you are concerned,
as I have in the past I shall continue, since you so wish it, to give
you my ideas on the situations in which you may become involved, on
condition, however, that you permit me sometimes to laugh at your
expense, a liberty I shall not take to-day, because if the Countess
follows up the plan she has formed, that is, if she persists in
refusing to see you alone, I do not see that your affairs will advance
very rapidly. She remembers what I told her, she knows her heart, and
has reason to fear it.
It is only an imprudent woman who relies upon her own strength, and
exposes herself without anxiety to the advances of the man she loves.
The agitation which animates him, the fire with which his whole person
appears to be burning, excites our senses, fires our imagination,
appeals to our desires. I said to the Countess one day: "We resemble
your clavecin; however well disposed it may be to respond to the hand
which should play upon it, until it feels the impression of that hand,
it remains silent; touch its keys, and sounds are heard." Finish the
parallel, and draw your conclusions.
But after all, why should you complain, Monsieur, the metaphysician?
To see the Countess, hear the soft tones of her voice, render her
little attentions, carry the delicacy of sentiment beyond the range of
mortal vision, feel edified at her discourses on virtue, are not these
supreme felicity for you? Leave for earthy souls the gross sentiments
which are beginning to develop in you. To look at you to-day, it might
be said that I was not so far out of the way when I declared love to
be the work of the senses. Your own experience will compel you to avow
that I had some good reason for saying so, for which I am not at all
sorry. Consider yourself punished for your injustice. Adieu.
Public-domain text, read in full here on John Shaqi.
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