Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth centuryLenclos, Ninon de
Philosophy
Life, letters, and Epicurean philosophy of Ninon de L'Enclos, the celebrated beauty of the seventeenth century
Lenclos, Ninon de
Lenclos, Ninon de, 1620-1705
Madame de ---- possesses bloom and cheerfulness; she is at an age when
women assume charge of young men who desire to be fitted for society,
and to learn their first lessons in gallantry. The interesting and
affectionate disposition you find in her will have its effect, but be
careful, it is I who warn you. Although I despise such women, it
happens that they have the power to create attachments; they often
find the secret of making you commit more follies than any of the
other women.
XXXVIII
Varieties of Resistance are Essential
I hasten to tell you, Marquis, that I have just maintained a thesis
against Monsieur de la Bruyère. No doubt you admire my temerity?
However it is true. He pretends that Corneille described men as they
should be, and Racine as they are; I held the contrary. We had some
illustrious spectators of the dispute, and I ought to be very proud of
the suffrages in my favor.
But all the details would be too long to write you, so come and we
will talk them over. Every one has his own fashion of describing
things, I have mine, I know. I represent women as they are, and I am
very sorry not to be able to represent them as they should be. Now I
shall reply to your letter.
The species of languor which affects you does not surprise me. The
malady which afflicts the Marquise has deprived you of the pleasure of
seeing the Countess, and your heart remaining in the same condition
for three days, it is not surprising that ennui should have gained
upon it. Neither does your present indifference for the Countess alarm
me. In the greatest passions there are always moments of lukewarmness,
which astonish the hearts that feel the sensation. Whether the heart,
constantly agitated by the same emotions, finally tires, or whether it
is absolutely impossible for it to be always employed with the same
object, there are moments of indifference, the cause of which can not
be ascertained. The livelier the emotions of the heart, the more
profound the calm that is sure to follow, and it is this calm that is
always more fateful to the object loved than storm and agitation. Love
is extinguished by a resistance too severe or constant. But an
intelligent woman goes beyond that, she varies her manner of
resisting; this is the sublimity of the art.
Public-domain text, read in full here on John Shaqi.
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