The deep love of tranquillity this letter breathes, the dislike of publicity as a snare fatal to future quiet, the contempt for the petty vanity that makes men of letters run into print with their little personal affairs, as if they were of moment to anybody but themselves, are all very characteristic of Smith's philosophic temper of mind; and there is also--what appears on other occasions as well as this in the intercourse of the two philosophers--a certain note of affectionate anxiety on the part of the younger and graver philosopher towards the elder as towards a man of less weight of natural character and experience, and perhaps less of the wisdom of this world, than himself. Smith seems to have shown Hume's letter to their common friends in Paris, and while deeply interested, as was only natural, in the quarrel, they with one consent took Hume's side, the only possible view of the transaction. The subject continued to furnish matter of conversation and conference among Hume's French literary friends during the whole time of Smith's residence in Paris. Hume sent Smith another letter a little later on in the month of July, which he asked him specially to show to D'Alembert. This Smith did on the 21 st, when he met D'Alembert at dinner at Mademoiselle de l'Espinasse's, in company with Turgot, Marmontel, Roux, Morellet, Saurin, and Duclos; and on the same evening D'Alembert wrote Hume that he had just had the honour of seeing Mr. Smith, who had shown him the letter he had received, and that they had talked much together about Hume and his affairs. Apparently Smith's objections to Hume publishing anything on the quarrel were now overcome; at all events, the result of this consultation of Hume's French friends was to advise publication; and accordingly a week or two later Hume sent on a complete narrative of his relations with Rousseau, together with the whole correspondence from first to last, to D'Alembert, with full permission to make any use of it he thought best, and he wrote Smith at the same time asking him to go and get a sight of it. "Pray tell me," he adds, "your judgment of my work, if it deserves the name. Tell D'Alembert I make him absolute master to retrench or alter what he thinks proper in order to suit it to the latitude of Paris."[171]