The lives of Jesus written for pious readers exhale, almost all of them, a sort of withered mustiness, the very first page of which repels readers used to more delicate and substantial fare. There is an odor of burnt-out lamp-wick, a smell of stale incense and of rancid oil that sticks in the throat. You cannot draw a long, free breath. The reader acquainted with the biographies of great men written with greatness, and possessing some notions of his own about the art of writing and of poetry, who incautiously picks up one of these pious books, feels his heart fail him as he advances into this flabby prose, torpid, tangled, patched up with commonplaces that were alive a thousand years ago, but which are now dead and petrified. It is even worse when these worn-out old hacks try to break into the lyric gallop or the trot of eloquence. Their faded graces, their ornamentations of countrified purisms, of “fine writing” fit for provincial academies, their artificial warmth cooled down to tepidity by unctuous dignity, discourage the endurance of the boldest reader. And when they are not engulfed in the thorny mysteries of scholasticism, they fall into the roaring eloquence of the Sunday sermon. In short, these are books written for readers who believe in Jesus, that is, for those who could, in a way, get along without them. But ordinary people, indifferent people, irreverent people, artists, those accustomed to the greatness of Antiquity and to the novelty of Modernity, never look at even the best of such volumes; or if they pick them up, let them fall at once. And yet these are the very people whom such a book should win because they are those whom Christ has lost, they are those who to-day form public opinion and count in the world.